Kate Mosher Hall’s work inhabits the charged space of reciprocal looking, activating a locus of estrangement present in any shared visual encounter and amplifying it. Through an interplay of two primary modes of image production—silkscreen printing and painting—she manages to suspend the medium specificities of either address as a way of playfully exploiting the uncertainties inherent to any act of looking. These images share an elusive, ‘hidden-in-plain-sight’ effect, but one that operates through an unavoidable visual regress: flashes of discernment quickly withdraw into instances of misrecognition, while visual identifications are retained as hovering or buried afterimages. The experience is akin to both seeing and not seeing at once, stimulating an awareness of looking siloed by the limits of perspectival bias and the strange over-exposure of seeing oneself seeing.

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Kate Mosher Hall (b. 1986, Los Angeles) lives and works in Los Angeles. She received her MFA from UCLA (2020), and her BFA from the California Institute of the Arts (2013). Solo exhibitions include The Reminder, curated by Kristy Trinier, Audain Gallery, Simon Fraser University, Vancouver, Canada (2023); Offset, Tanya Leighton, Berlin (2021); Without a body, without Bill, Hannah Hoffman Gallery (2021); LOQK, Artist Curated Projects (2019); and Wind Breaker, Phil Gallery (2019), all in Los Angeles. Notable group exhibitions include Kate Mosher Hall, Fionna Connor, and Bedros Yeretzian, Coastal Signs, Auckland, New Zealand (2023); Something or Other, Galerie Maria Bernheim, Zurich (2023); The Painter’s New Tools, curated by Dean Kissick and Eleanor Cayre, Nahmad Contemporary, New York (2022); and K as in Knight, Helena Anrather, New York (2021). Her work is in the permanent collections of the Los Angeles County Museum of Art and Rollins Museum of Art.


Mosher Hall’s first exhibition with Miguel Abreu Gallery, Big View, was held at the gallery in September 2023.