Flint Jamison is a conceptual artist working with sculpture, digital media and video, publication, as well as performance.


As they pointedly probe into and reflect the interplay between architectural and institutional settings, his expansive sculptural works pay particular attention to the tactile qualities of used materials.


Flint Jamison was born in 1979 in Montana. Since receiving his M.F.A. from the San Francisco Art Institute in 2006, he has initiated the long-term serial publishing project Veneer, and has exhibited internationally, presenting solo exhibitions at Kunst Halle Sankt Gallen, St. Gallen (2019), Miguel Abreu Gallery, New York (2017 and 2015); Galerie Max Mayer, Düsseldorf  (2021 and 2017); Air de Paris, Paris (2021, 2015 and 2012); Pied-à-terre, Ottsville, PA (2016); ETH Zürich, Zürich (2015); Artists Space, New York (2013); Cubitt, London (2013); Centre d’édition contemporaine, Geneva (2012); Artspeak, Vancouver (2012); castillo/corrales, Paris (2011); and Open Satellite, Bellevue, Washington (2010). His work was included in Signal or Noise at S.M.A.K., Ghent (2018), Other Mechanisms, curated by Anthony Huberman at the Secession, Vienna (2018), the 2017 Whitney Biennial, curated by Christopher Y. Lew and Mia Locks, the 2014 Liverpool Biennial, curated by Anthony Huberman and Mai Abu ElDahab, and the 2016 Incorporated! – Les Ateliers de Rennes, curated by François Piron. 


His work is held in numerous private and public collections, including the Whitney Museum of American Art, the Centre Pompidou, the Art Institute of Chicago, the Museum of Modern Art, the Princeton University Library, and the Walker Art Center, among others.


His solo exhibitions, Masterworks on Loan, 2020, at the Künstlerhaus Stuttgart, Germany, and Installation View at Paid, Seattle, were both on view through the spring of 2023. An artist-book/catalog of the latter titled Discovery! Installation View Flint Jamison Paid 2023 was published by Device in 2023.

full bio / cv