extence Engineer Sacrifice Clearly Part and Parse Sequence 8: one work, one or two weeks Capitol Reef Stations of the Last Eccentric Partials skin-screen-grass Logistique Elastique Dog Ears Times Square Times (Kodak All-Stars) Displacements and Dead Trees Dawn Goes Down Psychomachia DREAMBOAT DIRTBLOCK External Fixation Saltern Bouboulina with Works on Paper (1985 – 2017) 1995 & 2003 Superstar Galvanization Bubble Revision Too Much DOGSKULLDOGS Rates (Frames per Second) COVER Apparitions, Reapparitions Memories of Utopia: Jean-Luc Godard’s “Collages de France” Models Hole, Bubble, Bump. The Stored Work Model as Painting Intralocutors Faction Self-Portrait Anemine No One’s Voice LIZ DESCHENES / SOL LEWITT These Pellets Here This Powder There Films and Their Sites Mind Craft

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Hammer & Forge: From Europe to Santa Clara del Cobre Aberration חקק, Chapter 29 Black Glass Flint Jamison Your Vacuum Blows, which Sucks Crash Rail Nature is a Discipline Casual Encounters Torture Concrete Empedocles/Hölderlin, Cézanne/Gasquet, Straub/Huillet, Dominique Païni & Blake Rayne Drawings, Photographs & Engravings Stele Patience… Fortitude Registration Jimmy Raskin’s Confessions Photographs Pieter Schoolwerth Films by Jean-Marie Straub & Danièle Huillet, Megan Fraser and Redmond Entwistle Dust of Suns Raha Raissnia I hereby promise… etc. Chapter 12: iamb The Z-Axis Cycle Tilt / Swing The Bakery of Blok and the Three Forms of Unit Adaptation Inseparability vs. Simultaneity Nature Morte Folder and Application Portraits of Paintings Total Immersion Environment Early Spring The General Line Human Metal Because They Try To Bore Holes Seven night curtain a dancer dances An Immigrant Affection After Troy

9 Nov

Petals, Ears & Tears Indiscretion

7 March

Series in Fugue Curtains Late Stick Style Stereographs #1–4 (Rise/Fall) On Fridays We Have Half Days