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Watching 2, 2021UV cured inkjet, silicone on wood72 x 48 x 3 inches (182.9 x 121.9 x 7.6 cm) -
Thumb-Eye-Extended 2.0, 2020Silkscreen ink, acrylic on linen47 x 70 inches (119.4 x 177.8 cm) -
skin-screen-grass
Miguel Abreu, New York, 2021-2022
Installation view -
Phone-Breath-Bed 1, 2021Polycarbonate, silicone, stainless steel wire cloth, UV cured inkjet, wood, steel, plasticOverall: 45 1/2 x 77 x 48 inches (115.6 x 195.6 x 121.9 cm) -
Breath 2, 2021UV cured inkjet, acrylic paint, silicone on wood48 x 62 x 4 inches (121.9 x 157.5 x 10.2 cm) -
SPA – Daoyou Feng, Hyun Jung Grant, Suncha Kim, Paul Andre Michels, Soon Chung Park, Xiaojie Tan, Delaina Ashley Yaun, Yong Ae Yue, 2021UV cured inkjet, silicone on wood4 panels, each: 60 x 60 inches (152.4 x 152.4 cm)
Overall: 120 x 180 inches (304.8 x 457.2 cm) -
signal.noise/membrane, 2020Oil, alkyd, silicone on wood60 x 60 x 4 inches (152.4 x 152.4 x 10.2 cm) -
Liquid Circuit
SculptureCenter, Long Island City, 2020
Installation view -
Folds of Oil, 2005Video capture of custom software; SD, 4:321:06 minutesEdition of 5 + 1 -
Folds of Oil, 2005 -
Boating Scene 1.1.2, 2019UV print on aluminum, silicone, pigment90 x 67 x 3 inches (228.6 x 170.2 x 7.6 cm) -
Boating Scene 1.1.2, 2019 [detail] -
QMH 4.2.1, 2019UV print on aluminum, silicone, pigment40 x 53 inches (101.6 x 134.6 cm) -
Interface Remix, 2001Archival inkjet on canvas96 x 95 inches (243.8 x 241.3 cm)Edition of 3 -
R.E.M. revisited, 2002Archival inkjet on canvas96 x 110 inches (243.8 x 279.4 cm) -
Liquid Circuit
Hammer Museum, Los Angeles, 2020
Installation view -
It’s Not the Bullet but the Hole 2, 1991Silkscreen ink, acrylic on canvas71 x 71 inches (180.3 x 180.3 cm)(TH1018.91) -
Becoming Fish, 1996Silkscreen ink, acrylic on canvas71 x 95 inches (180.34 x 241.3 cm) -
Fingerpainting 2, 1994Silkscreen ink, acrylic on canvas69 x 69 inches (175.3 x 175.3 cm) -
America, 1990Silkscreen ink, acrylic on canvas71 x 177 inches (180.3 x 449.5 cm) -
Security, 1989-2019Aluminum framed silk screen print, steel cage, glass, silicone, plastic telephone receiver with cord68 x 117 x 65 inches (172.7 x 297.2 x 165.1 cm) -
Liquid Circuit
Hammer Museum, Los Angeles, 2020
Installation view -
Liquid Circuit, 1987Acrylic, vinyl cement compound, alkyd, oil, aluminum on wood90 x 143 x 9 inches (228.6 x 363.2 x 22.9 cm) -
Vertical Ooze, 1987Ceramic tile, urethane, vinyl cement compound, acrylic, oil on wood52 x 71 x 24 inches (132.1 x 180.3 x 61 cm) -
Holey Cow, 1986Acrylic, vinyl cement compound, Styrofoam, ceramic tile on wood75 x 102 x 28 inches (190.5 x 259.1 x 71.1 cm) -
Rapid Transit, 1986Acrylic, alkyd, vinyl cement compound on wood47 x 96 x 4 inches (119.4 x 243.8 x 10.2 cm) -
Thriller, 1985Acrylic, oil, cement compound, Styrofoam on wood30 x 48 x 5 inches (76.2 x 121.9 x 12.7 cm) -
Outer Banks of Memory, 1984Alkyd, acrylic, vinyl cement compound, Styrofoam on wood90 x 96 x 15 inches (228.6 x 243.8 x 38.1 cm) -
Heading Through, 1984Vinyl cement compound, ceramic tile, acrylic, wood, Styrofoam, steel39 x 82 x 60 inches (99.1 x 208.3 x 152.4 cm) -
Striped Nude, 1984Oil stick, enamel, Styrofoam, acrylic, vinyl cement compound on wood90 x 48 x 7 inches (228.6 x 121.9 x 17.8 cm) -
Liquid Circuit
SculptureCenter, Long Island City, 2020
Installation view -
Gray Zone-5, 2020Graphite, acrylic on Duralar24 x 19 inches (61 x 48.3 cm) -
Gray Zone-4, 2020Color pencil on paper14 x 11 in (35.6 x 27.9 cm) -
study – Pot of Gold, 1984Color pencil on paper11 x 14 inches (27.9 x 35.6 cm) -
TV sketch, 1982Pencil on paper11 x 14 inches (27.9 x 35.6 cm) -
study – head and tiled surface, 1981Color pencil on paper11 x 14 inches (27.9 x 35.6 cm) -
figure w/tile insert, 1981Color pencil on paper11 x 14 inches (27.9 x 35.6 cm)