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data-screen-skin.blue, 2023
UV cured inkjet, acrylic, silicone, ink on wood
48 x 54 x 7 5/8 inches (121.9 x 137.2 x 19.4 cm) -
data-screen-skin.blue, 2023 [side view]
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data-screen-skin.blue, 2023 [detail view]
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ear-screen-3, 2024UV cured inkjet, silicone, acrylic, stainless steel, ink on wood31 x 47 1/2 x 5 1/2 inches (78.7 x 120.7 x 14 cm) -
Tishan Hsu, curated by Lionel Bovier and Elisabeth Jobin, MAMCO Geneva, Switzerland
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mammal-screen-green-2, 2024UV cured inkjet, silicone, acrylic, stainless steel, ink on wood47 1/2 x 61 1/2 x 3 inches (120.7 x 156.2 x 7.6 cm) -
Gray Zone-10, 2024mixed media on Dura-Lar with powder coated steel artist frameFramed: 22 x 27 x 1 1/2 inches (55.9 x 68.6 x 3.8 cm) -
Tishan Hsu, curated by Lionel Bovier and Elisabeth Jobin, MAMCO Geneva, Switzerland
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skin-screen: revealed (quadriptych), 2023
UV cured inkjet, acrylic, silicone, stainless steel wire mesh, ink on wood
4 parts, each: 60 x 60 inches (152.4 x 152.4 cm)
Total: 120 x 120 inches (304.8 x 304.8 cm) -
skin-screen: revealed (quadriptych), 2023 [side view]
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car-grass-screen-2 and car-body-screen-2, curated by Cecilia Alemani, commissioned by Friends of the High Line, New York, NY
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tablet-skin-screen, 2023
Powder coated steel, acrylic and acrylic casting
104 3/4 x 236 1/4 x 149 5/8 inches (266 x 600 x 380 cm) -
tablet-skin-screen, 2023 [side view]
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tablet-skin-screen, 2023 [detail view]
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ears-screen-skin: Vienna, 2023Inkjet on adhesive vinyl236 1/4 x 787 3/8 inches (6 x 20 m)
Installation dimensions variableEdition 3 + 2 APsTishan Hsu: recent work 2023, curated by Bettina Spörr, Secession, Vienna
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gray-zone 7, 2023Graphite, acrylic on duralar, under custom steel, powdercoated frame and acrylic sheetFramed: 22 x 27 x 1 1/2 in (55.9 x 68.6 x 3.8 cm) -
car-body 3, 2023
Fiberglass, acrylic, steel
50 x 121 1/4 x 71 inches (127 x 308 x 180.3 cm) -
Breath 7, 2022
UV cured inkjet, acrylic, silicone, ink on wood
48 x 62 x 5 1/2 inches (121.9 x 157.5 x 14 cm) -
Breath 7, 2022 [side view]
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Breath 7, 2022 [detail view]
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grass-screen-skin / object 1, 2022
UV cured inkjet, silicone, acrylic, stainless steel, ink on wood
48 x 90 x 5 1/4 inches (121.9 x 228.6 x 13.3 cm) -
grass-screen-skin / object 1, 2022 [side view]
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Phone-Breath-Bed 1, 2021
Polycarbonate, silicone, stainless steel wire cloth, UV cured inkjet, wood, steel, plastic
Overall: 45 1/2 x 77 x 48 inches (115.6 x 195.6 x 121.9 cm) -
Phone-Breath-Bed 1, 2021 [Right]
Phone-Breath-Bed 2, 2022 [Left] -
Phone-Breath-Bed 2, 2022
Polycarbonate, silicone, stainless steel wire cloth, UV cured inkjet, silicone on wood, steel, plastic
Overall: 45 1/2 x 77 x 48 inches (115.6 x 195.6 x 121.9 cm) -
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59th International Art Exhibition, Venice Biennale: The Milk of Dreams
curated by Cecilia Alemani at Arsenale
Venice, Italy 2022 -
Watching 3, 2022
UV cured inkjet, acrylic, silicone, ink on wood
72 x 48 x 4 inches (182.9 x 121.9 x 10.2 cm) -
signal.noise / membrane 2, 2022
Oil, alkyd, acrylic urethane, silicone on wood
54 x 48 x 3 inches (137.2 x 121.9 x 7.6 cm) -
signal.noise / membrane 2, 2022 [detail view]
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58th Carnegie International: Is it morning for you yet?, organized by Sohrab Mohebbi, Carnegie Museum of Art, Pittsburgh, PA, 2023
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58th Carnegie International: Is it morning for you yet?, organized by Sohrab Mohebbi, Carnegie Museum of Art, Pittsburgh, PA, 2023
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skin-screen field with ear + legs, 2022
Powder coated steel, urethane rubber, aluminum, stain- less steel / plastic levelers, rubber tube, hardware -
skin-screen field with ear + legs, 2022
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ear-screen 1, 2022
UV cured inkjet, acrylic, ink, silicone on stainless steel and wood
34 x 48 x 4 inches (86.4 x 121.9 x 10.2 cm) -
SPA – Daoyou Feng, Hyun Jung Grant, Suncha Kim, Paul Andre Michels, Soon Chung Park, Xiaojie Tan, Delaina Ashley Yaun, Yong Ae Yue, 2021
UV cured inkjet, silicone on wood
4 panels, each: 60 x 60 inches (152.4 x 152.4 cm)
Overall: 120 x 180 inches (304.8 x 457.2 cm) -
Watching 2, 2021UV cured inkjet, silicone on wood72 x 48 x 3 inches (182.9 x 121.9 x 7.6 cm) -
Thumb-Eye-Extended 2.0, 2020Silkscreen ink, acrylic on linen47 x 70 inches (119.4 x 177.8 cm) -
skin-screen-grass
Miguel Abreu, New York, 2021-2022
Installation view -
Breath 2, 2021UV cured inkjet, acrylic paint, silicone on wood48 x 62 x 4 inches (121.9 x 157.5 x 10.2 cm) -
signal.noise/membrane, 2020Oil, alkyd, silicone on wood60 x 60 x 4 inches (152.4 x 152.4 x 10.2 cm) -
Liquid Circuit
SculptureCenter, Long Island City, 2020
Installation view -
Folds of Oil, 2005Video capture of custom software; SD, 4:321:06 minutesEdition of 5 + 1 -
Folds of Oil, 2005 -
Boating Scene 1.1.2, 2019UV print on aluminum, silicone, pigment90 x 67 x 3 inches (228.6 x 170.2 x 7.6 cm) -
Boating Scene 1.1.2, 2019 [detail] -
QMH 4.2.1, 2019UV print on aluminum, silicone, pigment40 x 53 inches (101.6 x 134.6 cm) -
Interface Remix, 2001Archival inkjet on canvas96 x 95 inches (243.8 x 241.3 cm)Edition of 3 -
R.E.M. revisited, 2002Archival inkjet on canvas96 x 110 inches (243.8 x 279.4 cm) -
Liquid Circuit
Hammer Museum, Los Angeles, 2020
Installation view -
It’s Not the Bullet but the Hole 2, 1991Silkscreen ink, acrylic on canvas71 x 71 inches (180.3 x 180.3 cm)(TH1018.91) -
Becoming Fish, 1996Silkscreen ink, acrylic on canvas71 x 95 inches (180.34 x 241.3 cm) -
Fingerpainting 2, 1994Silkscreen ink, acrylic on canvas69 x 69 inches (175.3 x 175.3 cm) -
America, 1990Silkscreen ink, acrylic on canvas71 x 177 inches (180.3 x 449.5 cm) -
Security, 1989-2019Aluminum framed silk screen print, steel cage, glass, silicone, plastic telephone receiver with cord68 x 117 x 65 inches (172.7 x 297.2 x 165.1 cm) -
Liquid Circuit
Hammer Museum, Los Angeles, 2020
Installation view -
Liquid Circuit, 1987Acrylic, vinyl cement compound, alkyd, oil, aluminum on wood90 x 143 x 9 inches (228.6 x 363.2 x 22.9 cm) -
Vertical Ooze, 1987Ceramic tile, urethane, vinyl cement compound, acrylic, oil on wood52 x 71 x 24 inches (132.1 x 180.3 x 61 cm) -
Holey Cow, 1986Acrylic, vinyl cement compound, Styrofoam, ceramic tile on wood75 x 102 x 28 inches (190.5 x 259.1 x 71.1 cm) -
Rapid Transit, 1986Acrylic, alkyd, vinyl cement compound on wood47 x 96 x 4 inches (119.4 x 243.8 x 10.2 cm) -
Thriller, 1985Acrylic, oil, cement compound, Styrofoam on wood30 x 48 x 5 inches (76.2 x 121.9 x 12.7 cm) -
Outer Banks of Memory, 1984Alkyd, acrylic, vinyl cement compound, Styrofoam on wood90 x 96 x 15 inches (228.6 x 243.8 x 38.1 cm) -
Heading Through, 1984Vinyl cement compound, ceramic tile, acrylic, wood, Styrofoam, steel39 x 82 x 60 inches (99.1 x 208.3 x 152.4 cm) -
Striped Nude, 1984Oil stick, enamel, Styrofoam, acrylic, vinyl cement compound on wood90 x 48 x 7 inches (228.6 x 121.9 x 17.8 cm) -
Liquid Circuit
SculptureCenter, Long Island City, 2020
Installation view -
Gray Zone-5, 2020Graphite, acrylic on Duralar24 x 19 inches (61 x 48.3 cm) -
Gray Zone-4, 2020Color pencil on paper14 x 11 in (35.6 x 27.9 cm) -
study – Pot of Gold, 1984Color pencil on paper11 x 14 inches (27.9 x 35.6 cm) -
TV sketch, 1982Pencil on paper11 x 14 inches (27.9 x 35.6 cm) -
study – head and tiled surface, 1981Color pencil on paper11 x 14 inches (27.9 x 35.6 cm) -
figure w/tile insert, 1981Color pencil on paper11 x 14 inches (27.9 x 35.6 cm)