Scott Lyall combines drawing, painting, sculpture, and found objects into what he describes as a ‘scenography without actors,’ or ‘plastic supports for an almost clientless sense of design.’ His production revolves around issues related to sculptural display, the relationships between graphic processes, and the design legacies of conceptualism.

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Scott Lyall (b. 1964, Toronto) lives and works in Toronto and New York. Solo and two-person exhibitions include SculptureCenter, New York (2007); The Power Plant, Toronto (2008); Miguel Abreu Gallery, New York (2023, 2019, 2015, 2013, 2010, 2006); Green On Red Gallery, Dublin (2023); Susan Hobbs Gallery, Toronto (2022, 2018, 2014, 2010, 2006, 2004, 2001), Greene Naftali, New York (2011, 1997–98, 1996); and Campoli Presti, London and Paris (2017, 2014, 2011, 2008). Notable group exhibitions include The Painter’s New Tools, Nahmad Contemporary, New York (2022); The Poet-Engineers, Miguel Abreu Gallery, New York (2022); Ballistic Poetry, Hermès Foundation, Brussels (2016); Anti-Establishment, CCS Bard, Annandale-on-Hudson, NY (2012); The Montreal Biennial (2011); New York to London and Back: The Medium of Contingency, Thomas Dane Gallery, London (2011); Collatéral, Le Confort Moderne, Poitiers (2009); The Lining of Forgetting, Austin Museum of Art and the Weatherspoon Art Museum, Greensboro, NC (2008–09); and SITE Santa Fe, 7th International Biennial (2008). Lyall’s work is held in the collections of the Buffalo AKG Art Museum, Buffalo; Pinault Collection, Paris; the National Gallery of Canada, Ottawa; the Walker Art Center, Minneapolis; and Whitney Museum of American Art, New York.