Scott Lyall combines drawing, painting, sculpture, and found objects into what he describes as a ‘scenography without actors,’ or ‘plastic supports for an almost clientless sense of design.’ His production revolves around issues related to sculptural display, the relationships between graphic processes, and the design legacies of conceptualism.
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Scott Lyall (b. 1964, Toronto) lives and works in Toronto and New York. He earned an MFA from the California Institute of the Arts (1993). Solo and two-person exhibitions include SculptureCenter, New York (2007); The Power Plant, Toronto (2008); Miguel Abreu Gallery, New York (2023, 2019, 2015, 2013, 2010, 2006); Susan Hobbs Gallery, Toronto (2025, 2022, 2018, 2014, 2010, 2006, 2004, 2001), Greene Naftali, New York (2011, 1997–98, 1996); and Campoli Presti, London and Paris (2017, 2014, 2011, 2008). Notable group exhibitions include A Serene Look upon the World, Mendes Wood DM, Brussels (2026); The Living End: Painting and Other Technologies, MCA Chicago, Illinois (2024); The Painter’s New Tools, Nahmad Contemporary, New York (2022); The Poet-Engineers, Miguel Abreu Gallery, (2022); Ballistic Poetry, Hermès Foundation, Brussels (2016); Anti-Establishment, CCS Bard, Annandale-on-Hudson, NY (2012); The Montreal Biennial (2011); Double Yolk (with Rachel Harrison), Galerie Christian Nagel, Antwerp (2011); New York to London and Back: The Medium of Contingency, Thomas Dane Gallery, London (2011); Collatéral, Le Confort Moderne, Poitiers (2009); The Lining of Forgetting, Austin Museum of Art, TX, Weatherspoon Art Museum, Greensboro, NC (2008); and SITE Santa Fe, 7th International Biennial (2008). Lyall’s work is held in the collections of the Albright-Knox Art Gallery, Buffalo; Pinault Collection; the National Gallery of Canada, Ottawa; and Whitney Museum of American Art, New York.
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