Jimmy Raskin

Stations of the Last Eccentric

December 9, 2021 — February 2, 2022
36 Orchard Street

When metacognition collapses into a pure state of mono-awareness, there is nothing more to process. The meta becomes the witness. It is all already happening.
– the artist

 

Miguel Abreu Gallery is pleased to announce the opening, on Thursday, December 9, of Jimmy Raskin’s STATIONS OF THE LAST ECCENTRIC, his fourth one-person exhibition at the gallery.

STATIONS OF THE LAST ECCENTRIC features nine layered works, each holding at its center The Cone of Expression. This diagrammatic overlay includes a prominent vertical line that imposes a primordial fold, creating a mirror-image wherein the picture faces itself. This event, in turn, conjures a myriad of faces staring back at the viewer. The phenomenon, known as facial pareidolia, instills an emotional charge in an otherwise non-sentient image or form. A point of connective stillness emerges, which may be considered sacrificial: we bypass the layers, critical-distance and dynamic conversations therein, into an almost humorous reduction point; an anthropomorphic flattening in the name of stillness. Within the gaze of the gaze, a space for mesmerization or resonance is generated.

 

Jimmy Raskin (b. 1970, Los Angeles) lives and works in New York. A graduate of CalArts, Raskin has exhibited his work and staged “lecture-performances” in institutions, art galleries and other non-traditional gathering places internationally since the mid- 1990s, notably at the P.S.1 Contemporary Art Center, Thread Waxing Place, Foundation 20 21, Greene-Naftali, Cooper Union, Miguel Abreu Gallery, SculptureCenter (all in New York), as well as at the Centre Pompidou, Paris, Real Art Ways, Hartford, The Swiss Institute, Paris, and KW Institute for Contemporary Art, Berlin In 2013, Raskin participated in Performa 13 as part of Performa After Hours, which marked his second contribution to the performance biennial, following A Certain Misgiving in the Disciple (2009). Raskin’s third one-person exhibition at Miguel Abreu Gallery, Petals Ears & Tears, took place in 2013.

Previously, he was selected for the Art Statements sector of Art |42| Basel (2011) was included in For the blind man in the dark looking for the black cat that isn’t there (2010), a major group exhibition organized by Anthony Huberman at the Contemporary Art Museum St. Louis. The show traveled to the Museum of Contemporary Art, Detroit, the ICA, London, de Appel Arts Center, Amsterdam, and Culturges, Lisbon. Raskin also participated in the group exhibition Breaking New Ground Underground (2009), curated by Thea Westreich at Stonescape, a private museum in Napa Valley, California.

Raskin’s publications include The Prologue, The Poltergeist & The Hollow Tree (Foundation 20 21, 2005), The Lisbon Lecture (Sequence Press, 2012), Corner Jump (Onestar Press, 2012), and The Final Eternal Return, published in 2019 as part of his participation in the group exhibition Tribe-Specific at Felix Gaudlitz, Vienna.