Liz Deschenes, Flint Jamison, Sam Lewitt, Dana Lok, Scott Lyall, Beaux Mendes, K.R.M. Mooney, Jean-Luc Moulène, Florian Pumhösl, R. H. Quaytman, Eileen Quinlan, Jimmy Raskin, Blake Rayne, Milton Resnick
Miguel Abreu Gallery is pleased to present accrochage 2, an installation of works in conversation by gallery artists. In the entrance hallway gallery, highlights from our recent group show When Image Processing Became Painting will be on view.
The exhibition will be held starting Monday, July 8th, at our 88 Eldridge Street location.
EILEEN QUINLAN
Spin Cycle Set (Losing Ground), 2023
UV-cured inkjet print on mirror and aluminum frame
40 1/4 x 30 1/4 x 1 1/2 inches (102.2 x 76.8 x 3.8 cm)
EILEEN QUINLAN
Spin Cycle Set (Losing Ground), 2023 [side view]
EILEEN QUINLAN
Shut-in Set (Grapevine), 2023
UV-cured inkjet print on mirror and aluminum frame
40 1/4 x 30 1/4 x 1 1/2 inches (102.2 x 76.8 x 3.8 cm)
BLAKE RAYNE
Choir no. 2 (Cinema Rising), 2021
Graphite, acrylic and oil on canvas and linen
84 x 60 inches (213.4 x 152.4 cm)
JEAN-LUC MOULÈNE
SCOTT LYALL
Talent 47, 2023
UV-cured inkjet on glass, mirror, acrylic gel medium
and gold nano particles
57 3/4 x 81 1/2 x 2 inches (146.7 x 207 x 5.1 cm)
FLORIAN PUMHÖSL
Lithosphere (pause 1), 2023
Oil on Finnpappe, mounted on wood
22 x 26 1/2 inches (55.9 x 67.3 cm)
Lithosphere (pause 1), 2023 [detail view]
K.R.M. MOONEY
Housing (c.) xi, 2024
Steel, electroplated steel, silver, brass, neodymium,
copper coated polyethylene, paint, polymer resin, iron oxide
14 x 7 x 3 1/2 inches (35.6 x 17.8 x 8.9 cm)
K.R.M. MOONEY
Housing (c.) xi, 2024 [side view]
R. H. QUAYTMAN
Parthian Shot, Chapter 31, 2017
Oil, silkscreen ink, gesso on wood
32 3/8 x 20 x 3/4 inches (82.2 x 50.8 x 1.9 cm)
Parthian Shot, Chapter 31, 2017 [detail view]
JIMMY RASKIN
STATION 3, 2021
UV cured inkjet on paper mounted on aluminum
18 1/2 x 31 3/4 inches (47 x 80.6 cm)
Framed: 22 1/4 x 35 5/8 inches (56.5 x 90.5 cm)
Edition of 3 + 1 AP
MILTON RESNICK
Straws, 1981
Oil on canvas
80 x 60 inches (203.2 x 152.4 cm)
Straws, 1981 [detail view]
MILTON RESNICK
Composition, 1998
Gouache on paper
41 x 29 1/4 inches (104.1 x 74.3 cm)
Framed: 43 x 31 1/2 inches (109.2 x 80 cm)
MILTON RESNICK
V + Me, 1989
Gouache on paper
18 1/8 x 24 3/8 inches (46 x 61.9 cm)
Framed: 19 1/2 x 25 3/4 inches (49.5 x 65.4 cm)
SAM LEWITT
A Weak Local (Vacuum Sealed – Trace Revision 1E), 2016
Etching on copper-clad plastic, steel brackets
120 x 20 inches (304.8 x 50.8 cm)
LIZ DESCHENES
FPS (30) – 10 in. x 5 panels, #2, 2018
Silver-toned photograms mounted on Dibond
5 parts, each: 60 x 10 x 3/4 inches (152.4 x 25.4 x 1.9 cm)
Framed: 66 1/2 x 76 1/2 x 2 1/2 inches (168.9 x 194.3 x 6.4 cm)
FPS (30) – 10 in. x 5 panels, #2, 2018 [detail view]
BEAUX MENDES
Untitled, 2020
Oil and acrylic on marble dust on panel
15 5/8 x 14 inches (39.7 x 35.6 cm)
BEAUX MENDES
Untitled, 2021
oil on cardboard
8 1/2 x 11 inches (21.6 x 27.9 cm)
BEAUX MENDES
Untitled, 2021
oil on cardboard
7 x 9 inches (17.8 x 22.9 cm)
DANA LOK
Weave, 2021
Pastel on paper
10 x 10 inches (25.4 x 25.4 cm)
FLINT JAMISON
Scope 1 1 Is, 2017–2024
Four-color Letterpress prints, glue, cedar artist frame
17 x 14 x 2 1/8 in (43.2 x 35.6 x 5.4 cm)
Framed: 18 1/2 x 15 5/8 x 3 inches (47 x 39.7 x 7.6 cm)
Scope 1 1 Is, 2017–2024 [side view]
RICHARD PRINCE
Untitled (The Band), 2013
Photomil and gravel
44 x 72 1/2 x 5 in. (111.8 x 184.2 x 12.7 cm)
RICHARD PRINCE
Untitled (The Band), 2013 [detail view]
R. H. QUAYTMAN
Cancel U.S.A. March 9, 2020, 2020
Oil, silkscreen ink, gesso on wood
12 3/8 x 20 in. (31.4 x 50.8 cm)
HELEN MARTEN
The Almost Horse (H), 2022
Cellulose paint on aluminium, epoxy resin on maple, aluminium, cast chemically patinated bronze, lampwork glass
23 x 39 7/8 x 1 5/8 in. (58.4 x 101.3 x 4.1 cm)
HELEN MARTEN
The Almost Horse (U), 2022
Cellulose paint on aluminium, epoxy resin on maple, aluminium, cast chemically patinated bronze, lampwork glass
23 x 39 7/8 x 1 5/8 in. (58.4 x 101.3 x 4.1 cm)
BLAKE RAYNE
Skull Ayre, 2018
Oil on linen
92 x 77 in. (233.7 x 195.6 cm)