Old Tree, 2023
Old Tree, 2023
Healer (Waters), 2019
robot, circuit board control units, battery, LED light, 3D printed head and tail, kirigami skin
IF THE SNAKE
Okayama Art Summit, Japan 2019
Installation view
House of Meme
Kunsthaus Bregenz, Austria, 2021
Installation view
House of Meme
Kunsthaus Bregenz, Austria, 2021
Installation view
House of Meme
Kunsthaus Bregenz, Austria, 2021
Installation view
House of Meme
Kunsthaus Bregenz, Austria, 2021
Installation view
Alien Blue Window, 2021
Lighttex, LED, anodized frame
108 1/4 x 35 7/8 x 4 inches (275 x 91 x 10 cm)
House of Meme
Kunsthaus Bregenz, Austria, 2021
Installation view
House of Meme
Kunsthaus Bregenz, Austria, 2021
Installation view
House of Meme
Kunsthaus Bregenz, Austria, 2021
Installation view
House of Meme
Kunsthaus Bregenz, Austria, 2021
Installation view
Skin Pool (Oromom), 2019
liquid, thickeners, coloring, pumps
Skin Pool (Oromom), 2019
liquid, thickeners, coloring, pumps
Emissaries for Things Abandoned by Gods
Casa Luis Barragán, Mexico City, 2019
Installation View
Evian Water, 2019
talcum powder, pigments, Evian water, LED light
Là où kes eaux se mêlent
Lyon Biennial, 2019
Installation view
Performing Society: Violence of Gender
Tai Kwun Contemporary, Hong Kong, 2019
Installation view
Sexual Power (Viagra Painting, Venous Beam), 2018
acrylic on aluminum
83 x 59 5/8 inches (210.8 x 150.8 cm)
Healer, 2019
robot snake
47 1/4 inches (120 cm)
Sharjah Biennial 14: Leaving the Echo Chamber
Sharjah, United Arab Emirates, 2019
Alien Blue Window (Fraumünsterstrasse 28, Zaain), 2019
Lighttex, blue LEDs, Plexiglas frame, remote control
39 3/8 x 11 3/4 x 4 inches (100 x 30 x 10 cm)
Alien Blue Light
Fraumünster-Kreuzgang, Zürich, 2019
La Fabrique du Vivant
Centre Georges-Pompidou, Paris, 2019
Installation view
Anemine (Lactic Green), 2018
acrylic paint and Anemine on aluminum composite
82 5/8 x 59 inches (210 x 150 cm)
Aquamarine (Skies Bubble), 2017
PET bottle, silicone, pigment
12 3/4 x 3/12 (32.4 x 8.9)
To See or Not to Be
Kunsthalle Mainz, Germany, 2017
Installation view
Alien Culture, 2017
GAMeC, Bergamo, Italy
Installation view
Alien Culture, 2017
GAMeC, Bergamo, Italy
Installation view
She Has No Mouth
Sprüth Magers, Berlin, 2017
Installation view
Sky Pool, 2017
dimensions variable
ARoS Triennial: The Garden
ARoS Aarhus Kunstmuseum, Aarhus, Denmark, 2017
Slight Agitation 2/4: Pamela Rosenkranz
Fondazione Prada, Milan, 2017
Installation view
Slight Agitation 2/4: Pamela Rosenkranz
Fondazione Prada, Milan, 2017
Installation view
Slight Agitation 2/4: Pamela Rosenkranz
Fondazione Prada, Milan, 2017
Installation view
Anemine
Miguel Abreu Gallery, New York, 2016
Installation view
Anemine (Chlorocruorin 2), 2016
Acrylic paint and Anemine on aluminum composite
78 1/4 x 54 3/4 inches (198 x 139 cm)
Anemine (Container of a Substance 2), 2016
IV drip, saline solution, Anemine
Dimensions variable
Anemine
Miguel Abreu Gallery, New York, 2016
Installation view
Anemine
Miguel Abreu Gallery, New York, 2016
Installation view
Anemine from Amazon, 2016
Acrylic paint and Anemine on aluminum composite, wood, LED lighting strip, Amazon Echo smart speaker 39 x 39 x 98 3/8 inches (99 x 99 x 250 cm)
Anemine
Miguel Abreu Gallery, New York, 2016
Installation view
Our Product
Swiss Pavilion, Venice Biennale, 2015
Installation view
Our Product
Swiss Pavilion, Venice Biennale, 2015
Installation view
Our Product
Swiss Pavilion, Venice Biennale, 2015
Installation view
Our Product
Swiss Pavilion, Venice Biennale, 2015
Installation view
Egret White (To Stand For), 2014
Ralph Lauren acrylic latex paint (Egret), emergency blanket Framed dimensions: 81 1/4 x 49 3/4 inches (206.4 x 126.4 cm)
Aquamarine (Clear My Mind), 2014
5 PET bottles, silicon pigment, plexiglass cabs, wooden plinths 57 3/4 x 15 x 15 inches (146.7 x 38.1 x 38.1 cm) each
My Sexuality
Karma International, Zurich, 2014
Installation view
My Sexuality
Karma International, Zurich, 2014
Installation view
My Sexuality
Karma International, Zurich, 2014
Installation view
Marrakech Biennale 5: Where are we now?
Marrakech, Marocko, 2014
Installation view
Elevation 1049: From Heaven to Hell
Gstaad, Switzerland, 2014
Installation view
The Great Acceleration: Art in the Anthropocene
Taipei Biennial, Taiwan, 2014
Installation view
The Encylclopedic Palace
55th International Art Exhibition, La Biennale di Venezia, 2013
Installation view
Because they try to bore holes (No Edge), 2013
Inkjet print on photo paper, mounting glue, plexiglass
78 3/4 x 54 1/2 inches (200 x 138.4 cm)
The Wild Blue Me, 2011
Sneakers, silicone, pigments, paint (Ralph Lauren Home: Morning Walk)
Dimensions variable
The Wild Blue Me, 2011
Sneakers, silicone, pigments, paint (Ralph Lauren Home: Morning Walk)
Dimensions variable
Liverpool Biennial
Liverpool, UK, 2012
Installation view
Because They Try to Bore Holes
Miguel Abreu Gallery, New York, 2012
Installation view
Because They Try to Bore Holes
Miguel Abreu Gallery, New York, 2012
Installation view