Pamela Rosenkranz - Miguel Abreu Gallery

Old Tree, 2023

High grade epoxy, fiberglass, galvanized steel

Approx. 25 x 23 x 23 feet (7.5 x 7 x 7 meters)
Old Tree, 2023
Old Tree, 2023
Healer (Waters), 2019
robot, circuit board control units, battery, LED light, 3D printed head and tail, kirigami skin
IF THE SNAKE

Okayama Art Summit, Japan 2019

Installation view
House of Meme
Kunsthaus Bregenz, Austria, 2021
Installation view
House of Meme
Kunsthaus Bregenz, Austria, 2021
Installation view
House of Meme
Kunsthaus Bregenz, Austria, 2021
Installation view
Anamazon (See Lines), 2021

Acrylic paint, inkjet print, Plexiglas

60 5/8 x 90 1/8 inches (154 x 229 cm)
I Wish I Could Cry Blood (Find Foods), 2021

Acrylic paint, inkjet print, Plexiglas

13 3/4 x 59 7/8 inches (35 x 152 cm)
House of Meme
Kunsthaus Bregenz, Austria, 2021
Installation view
Alien Blue Window, 2021
Lighttex, LED, anodized frame
108 1/4 x 35 7/8 x 4 inches (275 x 91 x 10 cm)
House of Meme
Kunsthaus Bregenz, Austria, 2021
Installation view
House of Meme
Kunsthaus Bregenz, Austria, 2021
Installation view
Healer (Anamazon), 2021

robot, circuit board, control units, battery, LED light, 3D-printed head and tail, Kirigami skin

52 x 2 3/8 x 2 3/8 inches (132 x 6 x 6 cm)
Anamazon (Human Touch), 2021

Acrylic on aluminum

83 1/2 x 59 7/8 inches (212 x 152 cm)
Anamazon (Human Touch), 2021 [detail]
House of Meme
Kunsthaus Bregenz, Austria, 2021
Installation view
House of Meme
Kunsthaus Bregenz, Austria, 2021
Installation view
Amazon (Sing to my Water, Sky and Leafage), 2016–2019

LED lighting strips, Amazon Echo smart speakers

Dimensions variable

Alien Blue Window (Via San Tomaso 53, Rumis), 2019

Alien Blue Window (Via San Tomaso 53, Rau), 2019

Alien Blue Window (Via San Tomaso 53, Shixkash), 2019

Lighttex, blue LEDs, anodized frame, remote control, USB dongle

84 5/8 x 53 1/8 x 5 7/8 inches (215 x 135 x 15 cm)
Skin Pool (Oromom), 2019
liquid, thickeners, coloring, pumps
Skin Pool (Oromom), 2019
liquid, thickeners, coloring, pumps
Emissaries for Things Abandoned by Gods

Casa Luis Barragán, Mexico City, 2019

Installation View
Express Nothing (Wood Molten), 2018

acrylic on emergency blanket

84 5/8 x 55 1/2 x 2 1/8 inches (214.9 x 141 x 5.4 cm)
Firm Being (My Spring), 2019

PET bottles (81 bottles), silicone, pigments
Firm Being (Stay True), 2009

500 ml PET bottle, silicon with pigments

17 x 6 x 6 inches (43.2 x 15.2 x 15.2 cm)
Evian Water, 2019

talcum powder, pigments, Evian water, LED light

Là où kes eaux se mêlent

Lyon Biennial, 2019

Installation view
Performing Society: Violence of Gender
Tai Kwun Contemporary, Hong Kong, 2019
Installation view
Sexual Power (Viagra Painting, Venous Beam), 2018
acrylic on aluminum
83 x 59 5/8 inches (210.8 x 150.8 cm)
Healer, 2019
robot snake
47 1/4 inches (120 cm)

Sharjah Biennial 14: Leaving the Echo Chamber
Sharjah, United Arab Emirates, 2019
Alien Blue Window (Fraumünsterstrasse 28, Zaain), 2019
Lighttex, blue LEDs, Plexiglas frame, remote control
39 3/8 x 11 3/4 x 4 inches (100 x 30 x 10 cm)

Alien Blue Light
Fraumünster-Kreuzgang, Zürich, 2019
La Fabrique du Vivant
Centre Georges-Pompidou, Paris, 2019
Installation view
Anemine (Lactic Green), 2018
acrylic paint and Anemine on aluminum composite
82 5/8 x 59 inches (210 x 150 cm)
Aquamarine (Skies Bubble), 2017

PET bottle, silicone, pigment

12 3/4 x 3/12 (32.4 x 8.9)

To See or Not to Be

Kunsthalle Mainz, Germany, 2017

Installation view
Pattern Tension (Aleotis), 2017

Acrylic paint, inkjet print, plexiglas

43 1/4 x 59 inches (110 x 150 cm)
Alien Culture, 2017

GAMeC, Bergamo, Italy

Installation view
Alien Culture, 2017

GAMeC, Bergamo, Italy

Installation view
Alien Blue Window (Loim, Via San Tomaso 53), 2017

Lighttex, blue LEDs, anodized frame, remote control, USB dongle

84 5/8 x 53 3/8 x 5 7/8 inches (215 x 135.7 x 15 cm)
She Has No Mouth

Sprüth Magers, Berlin, 2017

Installation view
Sky Pool, 2017
dimensions variable

ARoS Triennial: The Garden
ARoS Aarhus Kunstmuseum, Aarhus, Denmark, 2017
Slight Agitation 2/4: Pamela Rosenkranz
Fondazione Prada, Milan, 2017
Installation view
Slight Agitation 2/4: Pamela Rosenkranz
Fondazione Prada, Milan, 2017
Installation view
Slight Agitation 2/4: Pamela Rosenkranz
Fondazione Prada, Milan, 2017
Installation view
Anamazon (Into The Land), 2017

Mixed media: Terra Preta, LED-lighting strips, Amazon Echo smart speakers, sound

Being There

Louisiana Museum of Modern Art, Humlebæk, Denmark, 2017

Installation view
Anemine
Miguel Abreu Gallery, New York, 2016
Installation view
Anemine (Chlorocruorin 2), 2016
Acrylic paint and Anemine on aluminum composite
78 1/4 x 54 3/4 inches (198 x 139 cm)
Anemine (Container of a Substance 2), 2016
IV drip, saline solution, Anemine
Dimensions variable
Anemine
Miguel Abreu Gallery, New York, 2016
Installation view
Anemine
Miguel Abreu Gallery, New York, 2016
Installation view
Anemine from Amazon, 2016
Acrylic paint and Anemine on aluminum composite, wood, LED lighting strip, Amazon Echo smart speaker 39 x 39 x 98 3/8 inches (99 x 99 x 250 cm)
Anemine
Miguel Abreu Gallery, New York, 2016
Installation view
Our Product
Swiss Pavilion, Venice Biennale, 2015
Installation view
Our Product
Swiss Pavilion, Venice Biennale, 2015
Installation view
Our Product
Swiss Pavilion, Venice Biennale, 2015
Installation view
Our Product
Swiss Pavilion, Venice Biennale, 2015
Installation view
Creation, Deterioration, Conservation (Raelin), 2015

Acrylic paint, inkjet print, Plexiglas

43 5/16 x 63 inches (110 x 160 cm)
Framed dimensions: 44 1/4 x 64 inches (112.4 x 162.6 cm)
Egret White (To Stand For), 2014
Ralph Lauren acrylic latex paint (Egret), emergency blanket Framed dimensions: 81 1/4 x 49 3/4 inches (206.4 x 126.4 cm)
Aquamarine (Clear My Mind), 2014
5 PET bottles, silicon pigment, plexiglass cabs, wooden plinths 57 3/4 x 15 x 15 inches (146.7 x 38.1 x 38.1 cm) each
My Sexuality
Karma International, Zurich, 2014
Installation view
My Sexuality
Karma International, Zurich, 2014
Installation view
My Sexuality
Karma International, Zurich, 2014
Installation view
Drinking Water (One Soft Treatment), 2013

Acrylic on rayon

80 1/2 x 54 1/2 inches (204.5 x 138.4 cm)
Marrakech Biennale 5: Where are we now?
Marrakech, Marocko, 2014
Installation view
Elevation 1049: From Heaven to Hell
Gstaad, Switzerland, 2014
Installation view
The Great Acceleration: Art in the Anthropocene

Taipei Biennial, Taiwan, 2014

Installation view
The Encylclopedic Palace
55th International Art Exhibition, La Biennale di Venezia, 2013
Installation view
Because they try to bore holes (No Edge), 2013
Inkjet print on photo paper, mounting glue, plexiglass
78 3/4 x 54 1/2 inches (200 x 138.4 cm)
The Wild Blue Me, 2011
Sneakers, silicone, pigments, paint (Ralph Lauren Home: Morning Walk)

Dimensions variable
The Wild Blue Me, 2011
Sneakers, silicone, pigments, paint (Ralph Lauren Home: Morning Walk)

Dimensions variable
Liverpool Biennial
Liverpool, UK, 2012
Installation view
Bow Human,, 2012

Acrylic plaster, emergency blanket, Vaseline

Dimensions variable
More Stream,, 2012

Methylene Blue, water, sink

46 7/16 x 29 ½ x 19 11/16 inches (118 x 75 x 50 cm)
Feeding, Fleeing, Fighting, Reproduction

Kunsthalle Basel, 2012

Installation view
Our Hues,, 2012

Acrylic plaster, Ultramarine pigments
Inner Nature (Jen),, 2012

Blood or fake blood, inkjet print on photo paper

80 3/4 x 56 3/4 inches (205 x 144 cm)
Feeding, Fleeing, Fighting, Reproduction

Kunsthalle Basel, 2012

Installation view
Feeding, Fleeing, Fighting, Reproduction

Kunsthalle Basel, 2012

Installation view
Loop Revolution, 2009

Video projection, HD Video, loop

Dimensions variable

Edition of 3 + 2 APs
Because They Try to Bore Holes (Glad Grip),, 2012

Adhesive mount on Ilford photo paper, plexiglass

Framed: 80 1/8 x 56 inches (203.5 x 142.2 cm)
Because They Try to Bore Holes

Miguel Abreu Gallery, New York, 2012

Installation view
As One (Emotional Roll),, 2012

Hand-molded acrylic glass

80 1/2 x 41 1/2 x 20 1/2 inches (204.5 x 105.4 x 52.1 cm)
Because They Try to Bore Holes

Miguel Abreu Gallery, New York, 2012

Installation view
Everything is Already Dead (Sprite and Pocket Watch White),, 2012

Ralph Lauren acrylic latex paint, soft drink, inkjet pigment print on Hahnemuhle paper

Framed: 80 1/4 x 56 3/8 inches (203.8 x 143.2 cm)
This Is Not My Color

Swiss Institute, New York, 2011

Installation view
The Hue of One (Sadness),, 2011

Plexiglass, transparent acrylic, white string, vinyl gloves

78.5 x 55.5 inches (199.4 x 141. cm)
This Is Not My Color

Swiss Institute, New York, 2011

Installation view
The most Important Body of Water is Yours (The Essence of Purity) [Quadryptic],, 2011

Pigments, acrylic paint on stretched spandex, mounted on boards with archival foam

78.5 x 55.5 inches each (199.4 x 141 cm)
The Most Important Body of Water is Yours (Slowly but surely acquiring a Unique Balance) [Quadryptic],, 2011

Pigments, acrylic paint on stretched spandex, mounted on boards with archival foam

78.5 x 55.5 inches each (199.4 x 141 cm)
This Is Not My Color

Swiss Institute, New York, 2011

Installation view
"Because they tried to bore holes in my greatest and most beautiful work" (IKB_191_1),, 2011

Plexiglass, double-sided foil, pigment inkjet prints (Canon IPF 9000), Ilford photo paper, bubbles

78.5 x 55.5 (199.4 x 141 cm)
Sequence 3

Miguel Abreu Gallery, New York, 2011

Installation view
Express Nothing (Inner Mist),, 2011

Acrylic on emergency blanket foil

Framed: 64 1/8 x 83 3/8 inches (162.9 x 211.8 cm)
Express Nothing (Some Touch Reminder),, 2011

Acrylic on emergency blanket foil

Framed: 64 1/8 x 83 3/8 inches (162.9 x 211.8 cm)
No Core

Centre d'Art Contemporain, Geneva, 2010

Installation view
Bow Human,, 2009

Acrylic, plaster, metal, emergency blanket foil

39.4 x 19.7 x 19.7 inches (100 x 50 x 50 cm)
No Core

Centre d'Art Contemporain, Geneva, 2010

Installation view
More Core (Fresh Power),, 2010

Color photogram

19.7 x 15.8 inches (50 x 40 cm)
Our Sun

Swiss Institute, Venice, 2009

Installation view