Miguel Abreu Gallery

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  • Old Tree, 2023
    High grade epoxy, fiberglass, galvanized steel
    Approx. 25 x 23 x 23 feet (7.5 x 7 x 7 meters)

  • Old Tree, 2023

  • Old Tree, 2023

  • Pattern Tension (Gust), 2025
    Acrylic paint, inkjet print, plexiglas
    59 x 43 inches (150 x 109 cm)

  • Liquid Body
    Stedelijk Museum, Amsterdam, 2025
    Installation view

  • Skin Pool (Shine), 2025
    Liquid, Thickeners, Coloring, Pumps, Mirrors, Sound
    Installation dimensions variable

  • Liquid Body
    Stedelijk Museum, Amsterdam, 2025
    Installation view

  • Spill Retina
    nbk, Berlin, 2024
    Installation view

  • Healer Scrolls (Pearl Coast), 2023

    Pigment print, kirigami cut paper, tension, watercolor, perspex frame

    16 1/2 x 23 3/8 inches (42 x 59.4 cm)

  • Liquid Mimesis
    Miguel Abreu Gallery, New York, 2023
    Installation view
  • Healer Skins (Paper Whites), 2023
    Kirigami cut paper, LED light, perspex plinth
    2 3/8 x 2 3/8 x 47 1/4 inches (6 x 6 x 120 cm)
    39 3/8 x 44 7/8 x 15 inches (100 x 114 x 38 cm) plinth

  • Healer (Waters), 2019
    robot, circuit board control units, battery, LED light, 3D printed head and tail, kirigami skin
    2 3/4 x 47 1/4 x 2 3/4 inches (7 x 120 x 7 cm)

  • IF THE SNAKE

    Okayama Art Summit, Japan 2019

    Installation view

  • House of Meme
    Kunsthaus Bregenz, Austria, 2021
    Installation view

  • House of Meme
    Kunsthaus Bregenz, Austria, 2021
    Installation view

  • House of Meme
    Kunsthaus Bregenz, Austria, 2021
    Installation view

  • Anamazon (See Lines), 2021
    Acrylic paint, inkjet print, Plexiglas
    60 5/8 x 90 1/8 inches (154 x 229 cm)
  • I Wish I Could Cry Blood (Find Foods), 2021
    Acrylic paint, inkjet print, Plexiglas
    13 3/4 x 59 7/8 inches (35 x 152 cm)

  • House of Meme
    Kunsthaus Bregenz, Austria, 2021
    Installation view

  • Alien Blue Window, 2021
    Lighttex, LED, anodized frame
    108 1/4 x 35 7/8 x 4 inches (275 x 91 x 10 cm)

  • House of Meme
    Kunsthaus Bregenz, Austria, 2021
    Installation view

  • House of Meme
    Kunsthaus Bregenz, Austria, 2021
    Installation view

  • Healer (Anamazon), 2021
    robot, circuit board, control units, battery, LED light, 3D-printed head and tail, Kirigami skin
    52 x 2 3/8 x 2 3/8 inches (132 x 6 x 6 cm)
  • Anamazon (Human Touch), 2021
    Acrylic on aluminum
    83 1/2 x 59 7/8 inches (212 x 152 cm)
  • Anamazon (Human Touch), 2021 [detail]

  • House of Meme
    Kunsthaus Bregenz, Austria, 2021
    Installation view

  • Amazon (Sing to my Water, Sky and Leafage), 2016–2019
    LED lighting strips, Amazon Echo smart speakers
    Alien Blue Window (Via San Tomaso 53, Rumis), Alien Blue Window (Via San Tomaso 53, Rau) & Alien Blue Window (Via San Tomaso 53, Shixkash), 2019
    Lighttex, blue LEDs, anodized frame, remote control, USB dongle
    84 5/8 x 53 1/8 x 5 7/8 inches (215 x 135 x 15 cm) each

  • Skin Pool (Oromom), 2019
    liquid, thickeners, coloring, pumps

  • Skin Pool (Oromom), 2019
    liquid, thickeners, coloring, pumps

  • Emissaries for Things Abandoned by Gods

    Casa Luis Barragán, Mexico City, 2019

    Installation View

  • Express Nothing (Wood Molten), 2018
    acrylic on emergency blanket
    84 5/8 x 55 1/2 x 2 1/8 inches (214.9 x 141 x 5.4 cm)
  • Firm Being (My Spring), 2019
    PET bottles (81 bottles), silicone, pigments

    What Lies Within: Centre of the centre
    Museum of Contemporary Art and Design (MCAD), Manila, Philippines, 2019

  • Firm Being (Stay True), 2009
    500 ml PET bottle, silicon with pigments
    17 x 6 x 6 inches (43.2 x 15.2 x 15.2 cm)

  • Evian Water, 2019

    talcum powder, pigments, Evian water, LED light

     

    Là où kes eaux se mêlent

    Lyon Biennial, 2019

  • Performing Society: Violence of Gender
    Tai Kwun Contemporary, Hong Kong, 2019
    Installation view

  • Sexual Power (Viagra Painting, Venous Beam), 2018
    acrylic on aluminum
    83 x 59 5/8 inches (210.8 x 150.8 cm)

  • Healer, 2019
    robot snake
    47 1/4 inches (120 cm)

    Sharjah Biennial 14: Leaving the Echo Chamber
    Sharjah, United Arab Emirates, 2019

  • Alien Blue Window (Fraumünsterstrasse 28, Zaain), 2019
    Lighttex, blue LEDs, Plexiglas frame, remote control
    39 3/8 x 11 3/4 x 4 inches (100 x 30 x 10 cm)

    Alien Blue Light
    Fraumünster-Kreuzgang, Zürich, 2019

  • Skin Pool (Gleen), 2019
    Steel, PVC, Cellulose, acrylic paint, pump, water, food coloring and stabilizers
    39 3/8 x 109 7/8 x 109 7/8 inches (100 x 279 x 279 cm)

    La Fabrique du Vivant
    Centre Georges-Pompidou, Paris, 2019

  • Anemine (Lactic Green), 2018
    acrylic paint and Anemine on aluminum composite
    82 5/8 x 59 inches (210 x 150 cm)

  • Pattern Tension (Aleotis), 2017
    Acrylic paint, inkjet print, plexiglas
    43 1/4 x 59 inches (110 x 150 cm)

  • Alien Culture, 2017

    GAMeC, Bergamo, Italy

    Installation view

  • Alien Culture, 2017

    GAMeC, Bergamo, Italy

    Installation view

  • Alien Blue Window (Loim, Via San Tomaso 53), 2017
    Lighttex, blue LEDs, anodized frame, remote control, USB dongle
    84 5/8 x 53 3/8 x 5 7/8 inches (215 x 135.7 x 15 cm)

  • She Has No Mouth

    Sprüth Magers, Berlin, 2017

    Installation view

  • Sky Pool, 2017
    dimensions variable

    ARoS Triennial: The Garden
    ARoS Aarhus Kunstmuseum, Aarhus, Denmark, 2017

  • Infection, 2017
    Sand, Fragrance, LED Light, Various Materials
    276 x 473 x 473 inches (700 x 1200 x 1200 cm)

     

    Slight Agitation 2/4: Pamela Rosenkranz
    Fondazione Prada, Milan, 2017

  • Slight Agitation 2/4: Pamela Rosenkranz
    Fondazione Prada, Milan, 2017
    Installation view

  • Slight Agitation 2/4: Pamela Rosenkranz
    Fondazione Prada, Milan, 2017
    Installation view

  • Anamazon (Into The Land), 2017
    Mixed media: Terra Preta, LED-lighting strips, Amazon Echo smart speakers, sound
    Being There
    Louisiana Museum of Modern Art, Humlebæk, Denmark, 2017

  • Anemine
    Miguel Abreu Gallery, New York, 2016
    Installation view

  • Anemine (Chlorocruorin 2), 2016
    Acrylic paint and Anemine on aluminum composite
    78 1/4 x 54 3/4 inches (198 x 139 cm)

  • Anemine (Container of a Substance 2), 2016
    IV drip, saline solution, Anemine
    Dimensions variable

  • Anemine
    Miguel Abreu Gallery, New York, 2016
    Installation view

  • Anemine
    Miguel Abreu Gallery, New York, 2016
    Installation view

  • Anemine from Amazon, 2016
    Acrylic paint and Anemine on aluminum composite, wood, LED lighting strip, Amazon Echo smart speaker 39 x 39 x 98 3/8 inches (99 x 99 x 250 cm)

  • Anemine
    Miguel Abreu Gallery, New York, 2016
    Installation view

  • Our Product
    Swiss Pavilion, Venice Biennale, 2015
    Installation view

  • Our Product
    Swiss Pavilion, Venice Biennale, 2015
    Installation view

  • Our Product
    Swiss Pavilion, Venice Biennale, 2015
    Installation view

  • Our Product
    Swiss Pavilion, Venice Biennale, 2015
    Installation view

  • Creation, Deterioration, Conservation (Raelin), 2015
    Acrylic paint, inkjet print, Plexiglas
    43 5/16 x 63 inches (110 x 160 cm)
    Framed dimensions: 44 1/4 x 64 inches (112.4 x 162.6 cm)

  • Aquamarine (Clear My Mind), 2014
    5 PET bottles, silicon pigment, plexiglass cabs, wooden plinths 57 3/4 x 15 x 15 inches (146.7 x 38.1 x 38.1 cm) each

  • Drinking Water (One Soft Treatment), 2013
    Acrylic on rayon
    80 1/2 x 54 1/2 inches (204.5 x 138.4 cm)

  • Clean Eyes, 2014
    Intervention on existing fountain: Collyre Bleu, water, pump
    Dimensions variable

    Marrakech Biennale 5: Where are we now?
    Marrakech, Marocko, 2014

  • Skin Pool, 2014
    Liquid, thickeners, coloring, pumps

    Elevation 1049: From Heaven to Hell
    Gstaad, Switzerland, 2014

  • Wahaha Room, 2014
    PET, silicone, pigments, projectors
    Dimensions variable

    The Great Acceleration: Art in the Anthropocene
    Taipei Biennial, Taiwan, 2014

  • The Encylclopedic Palace
    55th International Art Exhibition, La Biennale di Venezia, 2013
    Installation view

  • Because they try to bore holes (No Edge), 2013
    Inkjet print on photo paper, mounting glue, plexiglass
    78 3/4 x 54 1/2 inches (200 x 138.4 cm)

  • Collection on Display

    Migros Museum für Gegenwartskunst, Zurich, Switzerland, 2013

    Installation view

  • The Wild Blue Me, 2011
    Sneakers, silicone, pigments, paint (Ralph Lauren Home: Morning Walk)
    Dimensions variable

  • Liverpool Biennial
    Liverpool, UK, 2012
    Installation view

  • Bow Human, 2012
    Acrylic plaster, emergency blanket, Vaseline
    Dimensions variable
  • More Stream, 2012
    Methylene Blue, water, sink
    46 7/16 x 29 ½ x 19 11/16 inches (118 x 75 x 50 cm)
  • Feeding, Fleeing, Fighting, Reproduction
    Kunsthalle Basel, 2012
    Installation view
  • Our Hues, 2012
    Acrylic plaster, Ultramarine pigments
  • Inner Nature (Jen), 2012
    Blood or fake blood, inkjet print on photo paper
    80 3/4 x 56 3/4 inches (205 x 144 cm)
  • Feeding, Fleeing, Fighting, Reproduction
    Kunsthalle Basel, 2012
    Installation view
  • Feeding, Fleeing, Fighting, Reproduction
    Kunsthalle Basel, 2012
    Installation view
  • Loop Revolution, 2009
    Video projection, HD Video, loop
    Dimensions variable
    Edition of 3 + 2 APs
  • Because They Try to Bore Holes (Glad Grip), 2012
    Adhesive mount on Ilford photo paper, plexiglass
    Framed: 80 1/8 x 56 inches (203.5 x 142.2 cm)

  • Because They Try to Bore Holes

    Miguel Abreu Gallery, New York, 2012

    Installation view

  • As One (Emotional Roll), 2012
    Hand-molded acrylic glass
    80 1/2 x 41 1/2 x 20 1/2 inches (204.5 x 105.4 x 52.1 cm)

  • Because They Try to Bore Holes

    Miguel Abreu Gallery, New York, 2012

    Installation view

  • Everything is Already Dead (Sprite and Pocket Watch White), 2012
    Ralph Lauren acrylic latex paint, soft drink, inkjet pigment print on Hahnemuhle paper
    Framed: 80 1/4 x 56 3/8 inches (203.8 x 143.2 cm)
  • This Is Not My Color
    Swiss Institute, New York, 2011
    Installation view
  • The Hue of One (Sadness), 2011
    Plexiglass, transparent acrylic, white string, vinyl gloves
    78.5 x 55.5 inches (199.4 x 141. cm)
  • This Is Not My Color
    Swiss Institute, New York, 2011
    Installation view
  • The most Important Body of Water is Yours (The Essence of Purity) [Quadryptic], 2011
    Pigments, acrylic paint on stretched spandex, mounted on boards with archival foam
    78.5 x 55.5 inches each (199.4 x 141 cm)
  • The Most Important Body of Water is Yours (Slowly but surely acquiring a Unique Balance) [Quadryptic], 2011
    Pigments, acrylic paint on stretched spandex, mounted on boards with archival foam
    78.5 x 55.5 inches each (199.4 x 141 cm)
  • This Is Not My Color
    Swiss Institute, New York, 2011
    Installation view
  • "Because they tried to bore holes in my greatest and most beautiful work" (IKB_191_1), 2011
    Plexiglass, double-sided foil, pigment inkjet prints (Canon IPF 9000), Ilford photo paper, bubbles
    78.5 x 55.5 (199.4 x 141 cm)
  • Sequence 3
    Miguel Abreu Gallery, New York, 2011
    Installation view
  • Express Nothing (Inner Mist), 2011
    Acrylic on emergency blanket foil
    Framed: 64 1/8 x 83 3/8 inches (162.9 x 211.8 cm)
  • Express Nothing (Some Touch Reminder), 2011
    Acrylic on emergency blanket foil
    Framed: 64 1/8 x 83 3/8 inches (162.9 x 211.8 cm)
  • No Core
    Centre d'Art Contemporain, Geneva, 2010
    Installation view
  • Bow Human, 2009
    Acrylic, plaster, metal, emergency blanket foil
    39.4 x 19.7 x 19.7 inches (100 x 50 x 50 cm)
  • No Core
    Centre d'Art Contemporain, Geneva, 2010
    Installation view
  • More Core (Fresh Power), 2010
    Color photogram
    19.7 x 15.8 inches (50 x 40 cm)
  • Our Sun
    Swiss Institute, Venice, 2009
    Installation view
Miguel Abreu Gallery
88 Eldridge Street
New York, NY 10002
212.995.1774
post@miguelabreugallery.com

Summer hours: Monday – Friday,
10am – 6pm or by appointment