Blake Rayne’s paintings are structured by the generative duplicity of words like script, folder, application, dissolve, and screen. These operative terms locate the work between structures of linguistic description and the history of reflexive material procedures. Rayne begins from an orientation that would consider the terms ‘painter’ and ‘painting’ as signs—that is, as fictions. They have no stable material definition, but rather are shaped by linguistic, institutional, and physical relations. Rayne’s mode of abstract painting is irrevocably marked by conceptual art. Here, context is constitutive.

read more

Blake Rayne (b. 1969, Lewes, Delaware) lives and works in New York. He attended the California Institute of the Arts, received a fellowship from the American Acadamy in Berlin (2010), and has taught at Columbia University’s School of Visual Arts.

 

In 2016-17, Cabin of the Accused, the first survey exhibition of Rayne’s work, was presented at the Blaffer Art Museum in Houston, Texas. Recent solo exhibitions include Bad Maps ( Galeria Nuno Centeno, Porto, 2023), Blake Rayne (1301PE, Los Angeles, 2022), Dog Ears (Miguel Abreu Gallery, New York, 2020–21),  Yogurt Cinema (A Certain Lack of Coherence, Porto, 2019), Brother Ass (Central Fine, Miami, 2019), DOGSKULLDOGS (Miguel Abreu Gallery, New York, 2018), and Carbon Days (Nuno Centeno, Porto, 2018), among others. His work was included in Collected by Thea Westreich and Ethan Wagner at the Whitney Museum of American Art in 2016, Chat Jet: Painting <Beyond> the Medium (Künstlerhaus, Graz, 2013), and in numerous group shows including Bergen Kunsthall, The Kitchen, SculptureCenter, Artists Space, Gladstone Gallery, Gagosian Gallery, Reena Spaulings, Greene Naftali, and American Fine Arts.

 

Tense and Spaced Out: Polar Nights, Glacial Chaos, and the Ecology of Misery, a monograph covering the last decade of the artist’s output, with texts by John Kelsey, David Lewis, Jaleh Mansoor, Laura Owens, Sean Paul, and Javier Sánchez Martínez, was published by Sequence Press/Blaffer Art Museum/Sternberg Press in 2017. Almanac, a collaboration with Three Star Books and Westreich/Wagner was published in 2013.

 

Rayne’s paintings are held in the collections of the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; San Francisco Museum of Modern Art, CA; FRAC – Fonds Regional d’Art Contemporain Poitou-Charentes, France; the Pinault Collection, Paris; the Portland Museum of Art; and the Institute of Contemporary Art, Miami, among others.