Miguel Abreu Gallery

  • Artists
  • Exhibitions
  • Events & Postings
  • sequence
  • Contact

  • A Breeze Without a Source, 2024

    Installation dimensions variable

  • GOD CAR, 2023

    Resin, confetti, speaker, wood platform, stool, surveillance camera, mini tv

    32 x 48 x 42 inches (81.3 x 121.9 x 106.7 cm)

  • SPACE SERVES I, 2024

    UV-cured inkjet on paper with varnish mounted on aluminum, wood

    84 x 36 x 3 inches (13.4 x 91.4 x 7.6 cm)

  • GHOST CONE, 2024

    Acrylic, ink, mixed media, and c-print on board, wood artist frame

    22 x 28 inches (55.9 x 71.1 cm)

    Framed: 25 x 32 3/4 x 4 inches (63.5 x 83.2 x 10.2 cm)

  • POETRY MACHINE (Poetry Blushes but Never Runs Away), 2024

    UV cured inkjet on wood, mechanics

    20 x 24 x 8 inches (50.8 x 61 x 20.3 cm)

    [JR1258.24]

  • A CUTE AWARENESS (Conceptual Heartist), 2024

    UV-cured inkjet on paper, UV-cured inkjet on film

    27 x 33 inches (68.6 x 83.8 cm)

  • STATION 4, 2021
    UV cured inkjet on paper mounted on aluminum
    18 1/2 x 31 3/4 inches (47 x 80.6 cm)
    framed: 22 1/4 x 35 5/8 inches (56.5 x 90.5 cm)
    edition of 3 + 1 AP

  • STATION 2, 2021
    UV cured inkjet on paper mounted on aluminum
    18 1/2 x 31 3/4 inches (47 x 80.6 cm)
    framed: 22 1/4 x 35 5/8 inches (56.5 x 90.5 cm)
    edition of 3 + 1 AP

  • STATION 9, 2021
    UV cured inkjet on paper mounted on aluminum
    18 1/2 x 31 3/4 inches (47 x 80.6 cm)
    framed: 22 1/4 x 35 5/8 inches (56.5 x 90.5 cm)
    edition of 3 + 1 AP

  • PRIMORDIAL DIAGRAMS, 2021
    inkjet on paper, audio component
    eight diagrams, each: 9 1/2 x 9 1/2 inches (24.1 x 24.1 cm)
    edition of 3 + 1 AP

  • STATIONS OF THE LAST ECCENTRIC
    Miguel Abreu Gallery, New York, 2021
    Installation view

  • Performance in conjunction with the exhibition Wet Conceptualism
    curated by Warren Neidich and Sozita Goudouna
    Opening Gallery, New York, January 27, 2023

  • A, Black Eye, 2013
    Fire stencil, latex paint on MDF
    64 ½ x 88 inches (163.8 x 223.5 cm)
  • Petals Ears & Tears
    Miguel Abreu Gallery, New York, 2013
    Installation view
  • Almost Altars (The Five Noble Ruts), 2013
    Wood, steel, latex paint and mixed media
    H: 77 x W: 120 x D: 120 inches (195.6 x 304.8 x 304.8 cm)
  • Petals Ears & Tears
    Miguel Abreu Gallery, New York, 2013
    Installation view
  • Interested, Occupied, Obsessed, 2013
    Inkjet on acetate, latex paint on paper collage
    30 x 20 inches (76.2 x 50.8 cm), Framed: 31 x 21 inches (78.7 x 53.3 cm)
  • This is Ditch Vision, 2013
    Inkjet print
    38 x 24 inches (61 x 96.5 cm)
  • Space Serves I, 2013
    Metal cutout
    14 x 9 inches (35.6 x 22.9 cm)
    Edition of 3 + 2 AP
  • The Lisbon Lecture
    Le Nouveau Festival, Centre Pompidou, Paris
    March 1, 2013
  • The Burden of Display, 2011
    Painted wood, Styrofoam, polyurethane, mixed media
    40 ¼ x 52 x 92 inches
  • Cone Diagram & Spotted, 2011
    Chromogenic prints mounted on Sintra
    2 parts: 28 ½ x 20 ½ x 1 inches (72.4 x 52.2 x 2.5 cm) each
  • 25 Stanzas Revisited, 2011
    Archival digital print with acrylic pigment, acetate overlay
    2 parts: 31 ½ x 23 ½ x 1 ¾ inches (80 x 59.7 x 2.5 cm) each
  • No More Haulers, 2011
    Wood and mixed media
    90 x 54 x 22 inches (228.6 x 137.2 x 55.9 cm)
  • Untitled 2 (from The Original Misfire Series), 2011
    Horn and mixed media
    63.5 x 29 x 4.5 inches (161.3 x 73.7 x 11.4 cm)
  • The Disciple’s Premature Nostalgia
    Miguel Abreu Gallery, February 12, 2009
  • The Prologue, The Poltergeist & The Hollow Tree, 2004
  • Holding The Poet At Bay, 2004
    Color ink jet print on paper
    12 x 17 ½" (30.4 x 44.5 cm)
  • Last Call, 2010
    Part 1: Wall relief, Aluminum, wood, and mixed media
    H. 77 x W. 55 ¼ x D. 45 ¼ inches (196 x 140 x 115 cm)
  • Inseparability vs. Simultaneity
    Miguel Abreu Gallery, New York, 2010
    Installation view
  • I Shall Tell, 2010
    Acryclic and mixed media collage on acetate and paper
    Framed size: 21 5/8 x 99 ¾ inches (55 x 251.5 cm)
  • Inseparability vs. Simultaneity, 2010
    Steel, cement compound, and mixed media on wood pedestals
    Overall dimensions: H. 52 ½ x W. 47 ½ x D. 24 inches (133.3 x 120.6 x 61 cm)
  • Inseparability vs. Simultaneity
    Miguel Abreu Gallery, New York, 2010
    Installation view
  • Cones of Origin, 2010
    Inkjet and mixed media collage on paper
    30 x 60 inches (76.2 x 152.4 cm), Framed size: 33 3/16 x 63 5/16 inches (84.3 x 160.8 cm)
  • A Certain Misgiving in the Disciple
    Artissima No. 16, Turin, August 11, 2009
  • A Certain Misgiving in the Disciple
    Artissima No. 16, Turin, August 11, 2009
  • Confrontation At The Hollow Tree (Inseparability vs. Simultaneity), 2009
    in "For the blind man in the dark room looking for the black cat that isn't there" Organized by Anthony Huberman, Contemporary Art Museum St. Louis, September 11, 2009 – January 3, 2010
    12 x 10 x 30 feet (3.65 x 3 x 9.1 meters)
  • The [Documentarian’s] Return of The Drunken Boat, 2009
    Birch plywood, Styrofoam, cement compound and mixed media
    96 x 34 x 52 inches (243.8 x 83.4 x 132.1 cm)
  • A Misgiving In The Disciple, 2008
    Bronze and steel
    H. 61 x W. 20 x D. 8 inches (155 x 51 x 20.32 cm)
  • The Misgiving in The Disciple, 2008
    Gouache, inkjet print and mixed media on paper and acetate
    Framed: 38 ½ x 31 ½ inches (98 x 80 cm)
  • Diagrammatic Episodes, 2008
    Steel, wood, digital print
    H. 22 x W. 48 x D. 10 inches (56 x 122 x 25.4 cm), Print: 20 x 14 inches (51 x 35.5 cm)
  • The fall of the tightrope walker #2, 2007
    Acrylic on paper
    11 3/4 x 9 inches (29.8 x 22.9 cm)
  • The Confession 1 (view of Pinn), 2007
    Enamel paint, joint compound on Styrofoam mounted on MDF and steel, electrical tape, spotlight
    H. 76 x W. 48 ½ x D. 56 ½ (193 x 123.2 x 143.5 cm)
  • The Confession 1 (view of The Documentarian), 2007
    Video projection (22:38 min)
  • The Confession 1 (view of The Performer & The Prologue), 2007
    Digital print on adhesive vinyl, stainless steel sculpture, framed drawing, and mixed media
    Installed dimensions: 36 x 132 inches (91.5 x 335.3 cm)
  • Corner-Jump: Birth of the The Performer; Mispronouncing ‘Polyphony’: Birth of The Documentarian, 2007
    Each: 42 x 13 inches (106.7 x 33 cm)
  • Memorial to the Death of the Tightrope Walker, 2006
    Tabletop installation
    H. 56 x L. 120 x W. 38 inches (142.2 x 304.8 x 96.5 cm)
  • Drawing the Tightrope Walker's Condition, 2006
    Steel sculpture and acrylic block shelf-top installation
    H. 17 x L. 36 x W. 10 inches (43 x 91.5 x 25.5 cm)
  • Pinn, 2004
    Mixed media collage on paper
    17 ¾ x 14 3/4 inches (45 x 37.5 cm)
  • Why must we draw the tightrope walker this way?, 1999
    View of performance
    Thread Waxing Space
  • In Memory of the Death of a Tightrope Walker, 1997
    Metal compound and concrete
  • Collage, 1996
    Mixed Media
    36 x 72 inches (91.4 x 183 cm)
  • The Inauguration of Pinn, 1994
    Paper, Film, Party Supplies, Cardboard, Mixed Media
    Dimensions Variable
  • Initial Appearance of Pinn, 1992
    Ink on Paper
    8 x 8 inches (20.3 x 20.3 cm)
  • Gatekeeper, 1990
    Video still
    7 x 11 inches (17.8 x 27.9 cm)
Miguel Abreu Gallery
88 Eldridge Street
New York, NY 10002
212.995.1774
post@miguelabreugallery.com

Tuesday – Saturday, 10am – 6pm
or by appointment