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STATION 4, 2021
UV cured inkjet on paper mounted on aluminum
18 1/2 x 31 3/4 inches (47 x 80.6 cm)
framed: 22 1/4 x 35 5/8 inches (56.5 x 90.5 cm)
edition of 3 + 1 AP -
STATION 2, 2021
UV cured inkjet on paper mounted on aluminum
18 1/2 x 31 3/4 inches (47 x 80.6 cm)
framed: 22 1/4 x 35 5/8 inches (56.5 x 90.5 cm)
edition of 3 + 1 AP -
STATION 9, 2021
UV cured inkjet on paper mounted on aluminum
18 1/2 x 31 3/4 inches (47 x 80.6 cm)
framed: 22 1/4 x 35 5/8 inches (56.5 x 90.5 cm)
edition of 3 + 1 AP -
PRIMORDIAL DIAGRAMS, 2021
inkjet on paper, audio component
eight diagrams, each: 9 1/2 x 9 1/2 inches (24.1 x 24.1 cm)
edition of 3 + 1 AP -
STATIONS OF THE LAST ECCENTRIC
Miguel Abreu Gallery, New York, 2021
Installation view -
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The Lisbon LectureLe Nouveau Festival, Centre Pompidou, ParisMarch 1, 2013 -
A, Black Eye, 2013Fire stencil, latex paint on MDF64 ½ x 88 inches (163.8 x 223.5 cm) -
Petals Ears & TearsMiguel Abreu Gallery, New York, 2013Installation view -
Almost Altars (The Five Noble Ruts), 2013Wood, steel, latex paint and mixed mediaH: 77 x W: 120 x D: 120 inches (195.6 x 304.8 x 304.8 cm) -
Petals Ears & TearsMiguel Abreu Gallery, New York, 2013Installation view -
Interested, Occupied, Obsessed, 2013Inkjet on acetate, latex paint on paper collage30 x 20 inches (76.2 x 50.8 cm), Framed: 31 x 21 inches (78.7 x 53.3 cm) -
This is Ditch Vision, 2013Inkjet print38 x 24 inches (61 x 96.5 cm) -
The Burden of Display, 2011Painted wood, Styrofoam, polyurethane, mixed media40 ¼ x 52 x 92 inches -
Cone Diagram & Spotted, 2011Chromogenic prints mounted on Sintra2 parts: 28 ½ x 20 ½ x 1 inches (72.4 x 52.2 x 2.5 cm) each -
25 Stanzas Revisited, 2011Archival digital print with acrylic pigment, acetate overlay2 parts: 31 ½ x 23 ½ x 1 ¾ inches (80 x 59.7 x 2.5 cm) each -
No More Haulers, 2011Wood and mixed media90 x 54 x 22 inches (228.6 x 137.2 x 55.9 cm) -
Untitled 2 (from The Original Misfire Series), 2011Horn and mixed media63.5 x 29 x 4.5 inches (161.3 x 73.7 x 11.4 cm) -
The Disciple’s Premature NostalgiaMiguel Abreu Gallery, February 12, 2009 -
The Prologue, The Poltergeist & The Hollow Tree, 2004 -
Holding The Poet At Bay, 2004Color ink jet print on paper12 x 17 ½" (30.4 x 44.5 cm) -
Last Call, 2010Part 1: Wall relief, Aluminum, wood, and mixed mediaH. 77 x W. 55 ¼ x D. 45 ¼ inches (196 x 140 x 115 cm) -
Inseparability vs. SimultaneityMiguel Abreu Gallery, New York, 2010Installation view -
I Shall Tell, 2010Acryclic and mixed media collage on acetate and paperFramed size: 21 5/8 x 99 ¾ inches (55 x 251.5 cm) -
Inseparability vs. Simultaneity, 2010Steel, cement compound, and mixed media on wood pedestalsOverall dimensions: H. 52 ½ x W. 47 ½ x D. 24 inches (133.3 x 120.6 x 61 cm) -
Inseparability vs. SimultaneityMiguel Abreu Gallery, New York, 2010Installation view -
Cones of Origin, 2010Inkjet and mixed media collage on paper30 x 60 inches (76.2 x 152.4 cm), Framed size: 33 3/16 x 63 5/16 inches (84.3 x 160.8 cm) -
A Certain Misgiving in the DiscipleArtissima No. 16, Turin, August 11, 2009 -
A Certain Misgiving in the DiscipleArtissima No. 16, Turin, August 11, 2009 -
Confrontation At The Hollow Tree (Inseparability vs. Simultaneity), 2009in "For the blind man in the dark room looking for the black cat that isn't there" Organized by Anthony Huberman, Contemporary Art Museum St. Louis, September 11, 2009 – January 3, 201012 x 10 x 30 feet (3.65 x 3 x 9.1 meters) -
The [Documentarian’s] Return of The Drunken Boat, 2009Birch plywood, Styrofoam, cement compound and mixed media96 x 34 x 52 inches (243.8 x 83.4 x 132.1 cm) -
A Misgiving In The Disciple, 2008Bronze and steelH. 61 x W. 20 x D. 8 inches (155 x 51 x 20.32 cm) -
The Misgiving in The Disciple, 2008Gouache, inkjet print and mixed media on paper and acetateFramed: 38 ½ x 31 ½ inches (98 x 80 cm) -
Diagrammatic Episodes, 2008Steel, wood, digital printH. 22 x W. 48 x D. 10 inches (56 x 122 x 25.4 cm), Print: 20 x 14 inches (51 x 35.5 cm) -
The fall of the tightrope walker #2, 2007Acrylic on paper11 3/4 x 9 inches (29.8 x 22.9 cm) -
The Confession 1 (view of Pinn), 2007Enamel paint, joint compound on Styrofoam mounted on MDF and steel, electrical tape, spotlightH. 76 x W. 48 ½ x D. 56 ½ (193 x 123.2 x 143.5 cm) -
The Confession 1 (view of The Documentarian), 2007Video projection (22:38 min) -
The Confession 1 (view of The Performer & The Prologue), 2007Digital print on adhesive vinyl, stainless steel sculpture, framed drawing, and mixed mediaInstalled dimensions: 36 x 132 inches (91.5 x 335.3 cm) -
Corner-Jump: Birth of the The Performer; Mispronouncing ‘Polyphony’: Birth of The Documentarian, 2007Each: 42 x 13 inches (106.7 x 33 cm) -
Memorial to the Death of the Tightrope Walker, 2006Tabletop installationH. 56 x L. 120 x W. 38 inches (142.2 x 304.8 x 96.5 cm) -
Drawing the Tightrope Walker's Condition, 2006Steel sculpture and acrylic block shelf-top installationH. 17 x L. 36 x W. 10 inches (43 x 91.5 x 25.5 cm) -
Pinn, 2004Mixed media collage on paper17 ¾ x 14 3/4 inches (45 x 37.5 cm) -
Why must we draw the tightrope walker this way?, 1999View of performanceThread Waxing Space -
In Memory of the Death of a Tightrope Walker, 1997Metal compound and concrete -
Collage, 1996Mixed Media36 x 72 inches (91.4 x 183 cm) -
The Inauguration of Pinn, 1994Paper, Film, Party Supplies, Cardboard, Mixed MediaDimensions Variable -
Initial Appearance of Pinn, 1992Ink on Paper8 x 8 inches (20.3 x 20.3 cm) -
Gatekeeper, 1990Video still7 x 11 inches (17.8 x 27.9 cm)