Miguel Abreu Gallery

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  • Castles and Caves, 2026
    UV-cured inkjet print on mirror and aluminum frame
    40 1/4 x 30 1/4 x 1 1/2 inches (102.2 x 76.8 x 3.8 cm)

  • Survivor Moon (Takeover), 2024
    UV-cured inkjet print on mirror and aluminum frame
    40 1/4 x 30 1/4 x 1 1/2 inches (102.2 x 76.8 x 3.8 cm)
  • Mind Logger #2, 2022
    UV-cured inkjet print on mirror and aluminum frame
    40 1/4 x 30 1/4 x 1 1/2 inches (102.2 x 76.8 x 3.8 cm)

  • Swipe Set (Graves Light), 2023
    UV-cured inkjet print on mirror and aluminum frame
    40 1/4 x 30 1/4 x 1 1/2 inches (102.2 x 76.8 x 3.8 cm)

  • Shut-in Set (Lighthouse), 2023
    UV-cured inkjet print on mirror and aluminum frame
    40 1/4 x 30 1/4 x 1 1/2 inches (102.2 x 76.8 x 3.8 cm)

  • Shut-in Set (Oh Sister), 2023
    UV-cured inkjet print on mirror and aluminum frame
    40 1/4 x 30 1/4 x 1 1/2 inches (102.2 x 76.8 x 3.8 cm)

  • The Waves
    Miguel Abreu Gallery, New York, 2023
    Installation view

  • Luigi’s Nightmare #3, 2017
    Gold-toned gelatin silver print
    31 x 40 inches (78.7 x 101.6 cm)
    Edition of 3 + 2 APs

  • Walking with Fire, 2020
    UV prints on Dibond panels (2 parts)
    overall: 72 x 74 3/4 inches (182.9 x 189.9 cm)
    edition of 3 + 2 APs

  • Dawn Goes Down
    Miguel Abreu Gallery, New York, 2020
    Installation view

  • Camp Creek, 2020
    gelatin silver print
    46 x 36 inches (116.8 x 91.4 cm)
    framed: 48 3/8 x 38 3/8 inches (122.9 x 97.5cm)
    edition of 2 + 2 APs

  • Day for Night, 2020
    UV prints on Dibond panels (4 parts)
    overall: 72 x 102 1/2 inches (182.9 x 260.4 cm)
    edition of 3 + 2 APs

  • Dawn Goes Down
    Miguel Abreu Gallery, New York, 2020
    Installation view

  • Hardest Hue, 2020
    digital chromogenic print mounted on Dibond
    60 x 48 inches (152.4 x 121.9 cm)
    framed: 60 1/4 x 48 1/4 inches (153 x 122.6 cm)
    edition of 3 + 2 APs

  • Dawn Goes Down
    Miguel Abreu Gallery, New York, 2020
    Installation view

  • Distance Learning, 2020

    gelatin silver print

    46 x 36 inches (116.8 x 91.4 cm)

    framed: 48 3/8 x 38 3/8 inches (122.9 x 97.5 cm)

    edition of 2 + 2 APs

  • The Nite, 2018

    digital chromogenic print mounted on Dibond

    48 x 60 inches (121.9 x 152.4 cm)

    edition of 3 + 2 APs

  • Joy of Life, 2020
    chromogenic print mounted on Dibond
    24 x 20 inches (61 x 50.8 cm)
    framed: 24 x 20 inches (61 x 50.8 cm)
    edition of 2 + 2 APs
  • Leaves are Brown, 2020
    gelatin silver print
    22 x 18 inches (55.9 x 45.7 cm)
    edition of 2 + 2 APs
  • Wait for It
    Kunstverein für die Rheinlande und Westfalen, Düsseldorf, 2019
    Installation view
  • Wait for It
    Kunstverein für die Rheinlande und Westfalen, Düsseldorf, 2019
    Installation view

  • Yoga Party, 2012

    12 Polaroids

    5 x 4 inches (12.7 x 10.2 cm) each

    Framed dimensions: 23 7/8 x 26 5/8 inches (60.6 x 67.6 cm)

  • Wait for It
    Kunstverein für die Rheinlande und Westfalen, Düsseldorf, 2019
    Installation view

  • Play Time, 2014

    6 Polaroids

    5 x 4 inches (12.7 x 10.2 cm) each

    Framed dimensions: 17 1/8 x 20 7/8 inches (43.5 x 53 cm)

  • Too Much
    Miguel Abreu Gallery, New York, 2018
    Installation view

  • I Can See It, But I Can’t Feel It, 2018

    5 UV prints on Dibond panels

    Overall dimensions: 72 x 132 1/2 inches (182.9 x 336.6 cm)

    Edition of 3 + 2 APs

  • Green Graph, 2015–2017
    Digital chromogenic print mounted on Dibond
    48 x 60 inches (121.9 x 152.4 cm)
    Framed dimensions: 48 1/4 x 60 1/4 inches (153 x 122.6 cm)
    Edition of 3 + 2 APs

  • Gang Beast, 2018

    Digital chromogenic print mounted on Dibond

    60 x 48 inches (152.4 x 121.9 cm)

    Edition 1 of 3 + 2 APs

  • EILEEN QUINLAN
    ARTE VIVA ARTE, 57th International Art Exhibition, Venice Biennale, 2017

    Installation view

  • Broken Figure, 2014
    Silver gelatin print
    30 x 24 inches (76.2 x 61 cm)
    Edition of 3 + 2 APs

  • Enduring Frustration, 2015

    Gelatin silver print

    30 x 24 inches (76.2 x 61 cm)

    Edition of 3 + 2 APs

  • Let Down, 2016
    Gelatin silver print
    30 x 24 inches (76.2 x 61 cm)

    Edition of 3 + 2 APs

  • The Fox, 2016

    Gelatin silver print
    31 x 40 inches (78.7 x 101.6 cm)
    Edition of 3 + 2 APs

  • Monument Valley, 2015
    Digital chromogenic print
    60 x 48 inches (152.4 x 121.9 cm)
    Edition of 3 + 2 APs

  • Mind Craft
    Miguel Abreu Gallery, New York, 2016
    Installation view

  • Image Support
    Bergen Kunsthall, Norway, 2016
    Installation view

  • Double Charlie, 2015
    12 Chromogenic prints mounted on sintra
    Each: 40 x 30 inches (101.6 x 76.2 cm)

  • Fried Sensor, 2015
    Glossy digital c-prints mounted on plexi
    Each: 40 x 30 inches (101.6 x 76.2 cm)
    Edition of 3 + 2 APs

  • Contact Hour, 2014
    Silver gelatin print
    30 x 24 inches (76.2 x 61 cm)
    Edition of 3 + 2 APs

  • Summer, 2013
    Gelatin silver print
    25 x 20 inches (63.5 x 50.8 cm), Framed: 28 x 23 inches (71.1 x 58.4 cm)
  • The Voidist, 2013
    Gelatin silver print
    25 x 20 inches (63.5 x 50.8 cm), Framed: 28 x 23 inches (71.1 x 58.4 cm)

  • Curtains
    Miguel Abreu Gallery, New York, 2013
    Installation view

  • Makers, 2013
    Gelatin silver print
    40 x 32 inches (101.6 x 81.3 cm), Framed: 43 x 34 x 2 inches (105.4 x 85.1 cm)
  • Top Down, 2013
    Gelatin silver print
    25 x 20 inches (63.5 x 50.8 cm), Framed: 28 x 23 inches (71.1 x 58.4 cm)
  • Failed Portrait, 2013
    Gelatin silver print
    25 x 20 inches (63.5 x 50.8 cm), Framed: 28 x 23 inches (71.1 x 58.4 cm)

  • New Photography 2013
    The Museum of Modern Art, New York, 2013
    Installation view

  • Sophia, 2012
    Digital chromogenic print mounted on aluminum
    60 x 48 inches (152.4 x 121.9 cm)
  • Eileen Quinlan & Matt Keegan: Y? O! G... A.
    The Kitchen, New York, 2012
    Installation view
  • Portrait of Space, 2011
    Gelatin silver print mounted on aluminum
    60 x 48 inches (152.4 x 121.9 cm)
  • Creep 2, 2011
    Chromogenic print mounted on plexiglass
    40 x 30 inches (101.6 x 76.2 cm)
  • Process Point, 2011
    Gelatin silver print mounted on aluminum
    40 x 30 inches (101.6 x 76.2 cm)
  • After Winter, 2010
    Chromogenic print mounted on plexiglass
    16 x 20 inches (40.6 x 50.8 cm)
  • Everything moves, everything shimmers, 2010
    Gelatin silver print mounted on aluminum
    40 x 30 inches (101.6 x 76.2 cm)
  • New Directions #2, 2010
    Chromogenic print mounted on acrylic glass
    24 x 20 inches (61 x 50.8 cm)
  • All’s Well, 2010
    Gelatin silver print mounted on aluminum
    60 x 48 inches (152.4 x 121.9 cm)
  • Women’s Business, 2010
    Gelatin silver print mounted on aluminum
    24 x 20 inches (61 x 50.8 cm)
  • A Ground in the Air, 2010
    Gelatin silver print mounted on aluminum
    48 x 60 inches (121.9 x 152.4 cm)
  • Puccio Onyx
    Galerie Daniel Buchholz, Cologne, 2008
    Installation view
  • Fahrenheit #24, 2008
    UV laminated chromogenic print mounted on Sintra
    24 x 20 inches (61 x 50.8 cm)
    Edition of 5 + 1 AP
  • Red Goya (diptych), 2007
    UV laminated chromogenic print mounted on Sintra
    40 x 30 inches (101.6 x 76.2 cm) 24 x 20 inches (61 x 50.8 cm)
  • Orchidism, 2007
    UV laminated chromogenic print mounted on Sintra
    40 x 30 inches (101.6 x 76.2 cm)
  • Accidental Image, 2007
    UV laminated chromogenic print mounted on Sintra
    40 x 30 inches (101.6 x 76.2 cm)
  • Paper White & Red, 2007
    UV laminated chromogenic print mounted on Sintra
    24 x 20 inches (61 x 51 cm)
    Edition of 5 + 1 AP
  • Smoke & Mirrors #104A, 2005
    chromogenic print mounted on Dibond
    24 x 20 inches (61 x 50.8 cm)
    Edition of 5 + 1 AP
  • Momentum 13
    The Institute of Contemporary Art, Boston, 2009
    Installation view
Miguel Abreu Gallery
88 Eldridge Street
New York, NY 10002
212.995.1774
post@miguelabreugallery.com

Summer hours: Monday – Friday,
10am – 6pm or by appointment