Or how to deploy an artwork’s truth procedure to contemplate its real effects
Yuji Agematsu, American Artist, Nairy Baghramian, Dexter Sinister, Trisha Donnelly, Isa Genzken, Tishan Hsu, Pierre Huyghe, Flint Jamison, Jonathan Lasker, Sam Lewitt, Scott Lyall, Helen Marten, K.R.M. Mooney, Jean-Luc Moulène, Florian Pumhösl, R. H. Quaytman, Wacław Szpakowski, Cheyney Thompson
Yuji Agematsu, Rey Akdogan, Hans Bellmer, Alex Carver, Moyra Davey,
Liz Deschenes, Tishan Hsu, Flint Jamison, Dana Lok, Jean-Luc Moulène,
R. H. Quaytman, Eileen Quinlan, Raha Raissnia, Blake Rayne, Milton Resnick, Matthew Ronay, Cameron Rowland, Jean-Marie Straub & Danièle Huillet
Flint Jamison is a conceptual artist working with sculpture, digital media and video, publication, as well as performance. He is the co-founder of the art center Yale Union in Portland, Oregon, and the co-founder of the artist-run center Department of Safety, which operated from 2002 until 2010 in Anacortes, Washington. Jamison is the founder and editor of the ongoing serial publication Veneer Magazine, an 18-book publishing project established in 2007.
Flint Jamison was born in 1979 in Montana. Since receiving his M.F.A. from the San Francisco Art Institute in 2006, he has exhibited internationally, presenting solo exhibitions at Kunst Halle Sankt Gallen, St. Gallen (2019), Miguel Abreu Gallery, New York (2017 and 2015); Galerie Max Mayer, Düsseldorf (2021 and 2017); Air de Paris, Paris (2021, 2015 and 2012); Pied-à-terre, Ottsville, PA (2016); ETH Zürich, Zürich (2015); Artists Space, New York (2013); Cubitt, London (2013); Centre d’édition contemporaine, Geneva (2012); Artspeak, Vancouver (2012); castillo/corrales, Paris (2011); and Open Satellite, Bellevue, Washington (2010). His work was included in Signal or Noise at S.M.A.K., Ghent (2018), Other Mechanisms, curated by Anthony Huberman at the Secession, Vienna (2018), the 2017 Whitney Biennial, curated by Christopher Y. Lew and Mia Locks, the 2014 Liverpool Biennial, curated by Anthony Huberman and Mai Abu ElDahab, and the 2016 Incorporated! – Les Ateliers de Rennes, curated by François Piron.
His work is held in numerous private and public collections, including the Whitney Museum of American Art, the Centre Pompidou, the Art Institute of Chicago, the Museum of Modern Art, the Princeton University Library, and the Walker Art Center, among others.
His solo exhibition, Masterworks on Loan, 2020, 2022, at the Künstlerhaus Stuttgart, Germany, was on view through April 2023.