Miguel Abreu Gallery

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  • Intralocutor: “You were born. And so you’re Free.
    So happy birthday”, 2020 [detail]
    bronze, coins, eyeshadow, and New York granite
    68 x 28 x 18 inches (172.7 x 71.1 x 45.7 cm)

  • Composite Release #1, 2019
    glazed ceramic
    10 x 11 x 6 1/2 inches (25.4 x 27.9 x 16.5 cm)
  • precious stones, 2026 [detail view]
    Cellulose, plastic powder, papier-mâché, acrylic medium,
    resin binder, dispersion paint, aluminum, graphite, zinc,
    tissue paper, napkins, newsprint, polyester glitter
    dimensions variable
    Art Basel Unlimited, 2026

  • Sun Moon Stars
    Contemporary Art Gallery, Vancouver, 2024
    Installation view

  • Partial View, 2023
    Bronze, aluminum
    26 x 26 x 16 inches (66 x 66 x 40.6 cm)

  • Composite Icon I , 2024
    ceramic, polyester, glitter, pigment, dirt, graphite, acrylic medium
    9 x 10 x 7 inches (23 x 25 x 18 cm)
  • Temporary Atlas

    Galleria delle Prigioni, Treviso, Italy, 2022

    Installation view

  • Bread, 2020

    bronze

    42 1/2 x 6 3/4 x 11 inches (108 x 17.1 x 27.9 cm)

  • Intralocutors: Click
    Kunsthalle Lingen, Germany, 2022
    Installation view
  • Intralocutor: someone will always pay, 2022
    Bronze, cardboard, plastic bag
    70 7/8 x 14 5/8 x 11 3/4 inches (180 x 37 x 30 cm)

  • Intralocutors: Click
    Kunsthalle Lingen, Germany, 2022
    Installation view
  • Intralocutor: “You were born. And so you’re Free.
    So happy birthday”
    , 2020
    bronze, coins, eyeshadow, and New York granite
    68 x 28 x 18 inches (172.7 x 71.1 x 45.7 cm)
  • Psychomachia

    Miguel Abreu Gallery, 2020

    Installation view

  • Bread Garden, 2020 [detail view]

  • Intralocutor: What do you believe?, 2018
    bronze, tinsel, steel
    71 x 24 x 24 inches (180.3 x 61 x 61 cm)
  • Permafrost

    Montpellier Contemporain, Montepellier, 2020

    Installation view

  • born in a beam of light
    The Power Station, Dallas, 2019
    Installation view

  • Track (Can you trigger the switch?), 2018
    steel, brass, celeriac, dispersion paint
    8 x 139 x 71 inches (20.3 x 353.1 x 180.3 cm)

  • Cosmic footing, 2018
    celeriac, cast aluminum matches, steel frame, tinsel
    dimensions variable
  • Pétroleuse (Digesting Gold), 2018 [detail view]
  • Gatekeeper: And still it breathes within this body, 2019
    glazed ceramic, steel, curtain, polyester fabric, acrylic, pillow
    57 1/2 x 20 1/2 x 64 3/16 inches (14 x 52 x 163 cm)
  • Trigger: Towards everything they’ve ever wanted, 2019
    ranch fencing, batteries, fairy lights, polyester curtain, aluminum, cast bronze matches, copper wire
    51 3/16 x 51 3/16 x 44 1/16 inches (130 x 130 x 112 cm)
  • Frieze Sculpture

    curated by Brett Littman
    Rockefeller Center, New York, 2019
    Installation view

  • Intralocutor: While watching the grass grow and die and grow again, thinking it was green, 2018
    bronze, steel
    72 x 17 1/2 x 16 1/2 inches (182.9 x 44.5 x 41.9 cm)
    edition 1 of 3 + 2 AP

  • Icon, is (II), 2025
    Glazed ceramic
    11 x 10 1/4 x 8 1/4 inches (27.9 x 26 x 21 cm)
  • Rebecca Brewer & Rochelle Goldberg: Waves and Waves

    Oakville Galleries, Oakville, Ontario, 2019

    Installation view

  • For Every Living Carcass VII, 2018

    Glazed ceramic, steel

    Approximate dimensions:14 x 76 x 25 1/4 inches (35.6 x 193 x 64.1 cm)

  • Casa del Sol

    Casa Masaccio Centro per l’Arte Contemporanea, San Giovanni Valdarno, 2018

    Installation view

  • Nor safety, nor time, nor object, they burrowed, 2017

    Steel, ceramic, found fabric, acrylic, diffusion paint, fiber optic LED wire, emergency blanket, and carpet

    78 inches x 13ft x 10ft (198.1 x 396.2 x 304.8 cm)

  • Casa del Sol

    Casa Masaccio Centro per l’Arte Contemporanea, San Giovanni Valdarno, 2018

    Installation view

  • Alchemistry

    IK Lab, Tulum, 2019
    Installation view

  • On shaky magnitude (on stand by), 2018 [detail]
    carpet, gold enamel, steel, plastic, spray paint, shellac on dried clay, lamp components, fiber optic, LED, brass, 14 carat gold wire, ceramic, fossilized cable
    dimensions variable

  • Pétroleuse
    Éclair, Berlin, 2018
    Installation view

  • Pétroleuse
    Éclair, Berlin, 2018
    Installation view

  • On Shaky Magnitude, 2017
    Carpet, gold enamel, steel, acrylic, shellac on air-drying clay, lamp parts, fiber optic cable, LED light-engine, brass, 14k gold wire, ceramic, found ceramic vessel, fossilized cable
    78 x 96 x 144 inches (198.1 x 243.8 x 365.8 cm)

  • Intralocutor, “Can you make the bad good again?”, 2017
    Glazed ceramic, steel, wood, human hair, plaster, aqua resin, oil latex paint
    66 1/4 x 20 x 24 inches (168.3 x 50.8 x 61 cm)

  • Intralocutors
    Miguel Abreu Gallery, New York, 2017
    Installation view

  • Leaked Into Fixture X, 2017 [detail]
    Glazed ceramic, steel, poured chia
    7 x 149 x 96 inches (17.8 x 378.5 x 243.8 cm)

  • Intralocutor, “Blinks and blank back”, 2017
    Glazed ceramic, painted modeled MDF, feather, nylon, fiber optic cable
    14 x 75 x 25 inches (35.6 x 190.5 x 63.5 cm)

  • Intralocutors
    Miguel Abreu Gallery, New York, 2017
    Installation view

  • Gate Keeper X, 2017
    Powder coated aluminum, glazed ceramic, resin
    41 x 36 1/2 x 24 inches (104.1 x 92.7 x 61 cm)

  • Hands Replace the Deck, 2016

    Ceramic, fiber optic cables, resin, LED illuminator, plastic

    Dimensions variable

  • No Where, Now Here, 2016

    Stainless steel, ceramic, wood, chia, and carpet

    Dimensions variable

  • No Where, Now Here, 2016

    Stainless steel, ceramic, wood, chia, and carpet

    Dimensions variable

  • A Worm Filled Body, 2016

    Parisian Laundry, Montréal, Canada

    Installation view

  • Never Ending Pit, 2016

    Fiberglass, vinyl photographic print, lacquer, steel

    78 x 46 x 78 inches (198.1 x 116.8 x 198.1 cm)

  • No Where, Now Here, 2016
    Stainless steel, ceramic, wood, chia, and carpet 7 x 15 x 12 feet (2.1 x 4.5 x 3.6 m) [approx.]
    Mirror Cells, Whitney Museum of American Art, New York, 2016, Installation view

  • No Where, Now Here, 2016
    Stainless steel, ceramic, wood, chia, and carpet 7 x 15 x 12 feet (2.1 x 4.5 x 3.6 m) [approx.]
    Mirror Cells, Whitney Museum of American Art, New York, 2016, Installation view

  • Brick Birthing Station, 2016
    Ceramic, Fiber optic LED wire, plexi resin
    95 x 36 x 17 inches (241.3 x 91.4 x 43.2 cm)

  • Dead Pan Fish Revival, 2016
    Ceramic, chia, lacquered wood, steel
    41 x 40 x 21 inches (104.1 x 101.6 x 53.3 cm)
  • Try Again, I, II, III, IV, V, 2016 [detail view]
    Lacquer, wood
    4 x 4 x 4 inches (10.2 x 10.2 x 10.2 cm) each
  • Hands Replace the Deck, 2016
    Ceramic, fiber optic cables, resin, chia, LED illuminator, plastic
    Dimensions variable
  • For Every Living Carcass I, 2016
    Ceramic, chia, lacquered wood, steel
    41 x 40 x 21 inches (104.1 x 101.6 x 53.3 cm)
  • MFA Thesis Exhibition
    Bard College, Annandale-On-Hudson, New York, 2014
    Installation view
  • MFA Thesis Exhibition
    Bard College, Annandale-On-Hudson, New York, 2014
    Installation view
  • Iron Oracle, 2016
    Steel, chia laced with steel, earth
    Dimensions variable
  • The Cannibal Actif
    Federico Vavassori, Milan, 2015
    Installation view
  • Leaked Into Fixture, 2016 [detail view]
    Fibre-optic fibres, cables, ceramic, resin, chia seeds, LED bulb
    98 1/2 x 57 1/2 x 7 3/4 inches (250 x 146 x 20 cm)
  • The Local Link (Lust got in the way)
    The Apartment Gallery, Vancouver, 2014
    Installation view
  • Descartes' Daughter
    Swiss Institute, New York, 2013
    Installation view
Miguel Abreu Gallery
88 Eldridge Street
New York, NY 10002
212.995.1774
post@miguelabreugallery.com

Summer hours: Monday – Friday,
10am – 6pm or by appointment