I see my paintings as having many parallels and similarities to music: light, spectral and incorporeal is similar to sound. In music sound is treated phenomenologically, as a dynamic presence to be encountered in listening—so in painting, light is the moving force that reveals forms through the act of looking.
—Raha Raissnia
“I have to tell you, I learned filmmaking more from painters and musicians than from filmmakers,” director Béla Tarr has confessed. Reversing his cue, Raha Raissnia learned to paint from filmmakers and musicians rather than painters. Years spent at Anthology Film Archives left her well-versed in the cinematic avant-garde, and her projection performances often involve collaborations with experimental musicians Aki Onda and Charles Curtis. Above all, Raissnia’s work aspires to the temporal and experiential condition of music—suggestive, ambiguous, abstract.
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Upcoming
curated by Otto Bonnen
UA26, Vienna
opening on September 12, 2026
Past
Raha Raissnia (b. 1968, Tehran, Iran) lives and works between New York City and Athens, Greece. She received her BFA from the School of the Art Institute of Chicago in 1992 and her MFA from Pratt Institute in 2002. In the interim, her interest in avant-garde filmmaking led her to work at Anthology Film Archives in New York, where she also exhibited. Solo institutional exhibitions of her work were held at the Drawing Center, New York (2018), and The Museum of Modern Art, New York (2016). In 2015, she was included in the 13th Bienal de Cuenca, Ecuador, and the 56th International Art Exhibition, Venice Biennale, curated by Okwui Enwezor. Notable group exhibitions include Greater New York, MoMA PS1, New York (2021-22); Long Live Modern Movement, CSS Bard Hessel Museum, New York (2020); The Foundation of the Museum: MOCA’s Collection, The Museum of Contemporary Art, Los Angeles (2019); Looking Back – The 8th White Columns Annual, White Columns, New York (2014); Cosmography, The Kitchen, New York (2011) and Engaging the False Mirror, Museum of Contemporary Art St. Louis (2010), among others. Raissnia’s sixth one-person exhibition at Miguel Abreu Gallery was held in the winter of 2019. In 2022, she had her first solo exhibition in East Asia, نور (Nour), at Empty Gallery, Hong Kong. She also had her third solo exhibition at Galerie Xippas, Paris and first solo exhibition in Cologne at Galerie Khoshbakt in 2023.
Raissnia’s film and slide projection performances, often undertaken in collaboration with Aki Onda, Panagiotis Mavridis, and Charles Curtis have been held at Empty Gallery (Hong Kong), Whitney Museum of American Art (New York), REDCAT (Los Angeles), Kunsthal Rotterdam, Arnolfini – Center for Contemporary Arts (Bristol, UK), the Drawing Center (New York), ISSUE Project Room (New York), and Emily Harvey Foundation (New York) among others. Her work is held in the collections of Museum of Modern Art (New York), M+ Museum (Hong Kong), Museum Ludwig (Cologne), Museum of Contemporary Art (Los Angeles), Pinault Collection, Museum of Old and New Art (Tasmania), Pejman Foundation (Tehran), and Colección INELCOM (Madrid).
Publications
